Word: hairs
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Dates: during 1970-1979
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...other evidence of his Chicago popularity might have the pharaoh twirling in his tomb: pyramid hair styles, Cleopatra eye makeup, scarab rings, mummy bead necklaces, wallpaper sporting Egyptian goddesses, Tut towel and pillow sets. The newest disco dance is a stimulating shuffle called the King Tut Strut. One women's shop has achieved the living end in Egyptian necrophilia: its main window features a mannequin wrapped in masking tape to look like a mummy...
Traces of his fame are all around him. On the walls and tables of the big room are autographed photos of a younger Ted Hesburgh standing comfortably beside Popes and Presidents. His hair is less black now and his heavy jaw fuller, but he still has the handsome black-Irish looks of his mother. There is an inscribed silver plate from Jackie Kennedy and an emerald-studded ring from Pope Paul. He has become a virtual prince among priests. The sound of a Beethoven recording, a gift from the president of RCA, plays softly in the background...
...commitment and planning. Thousands stood in line in the rain as early as five o'clock, and many were showing the signs of a "heightened awareness" by then. The gentleman to my left, for example, who had shaved half his head and tied what was left of his hair into a ponytail, crooned continuously about the moon melting and the pavement swelling. When the police made a move as if to open the doors, the mob pressed together so closely that someone's elbow forced my camera to take a picture of the inside of my poncho. For more than...
...overall feeling he evokes is simple, clean-cut and slow-paced, but enough shots identifying the artifice or the absurd are cut-in to indicate Fassbinder's love of camp as well. Mother K.'s daughter is seen almost exclusively through mirrors, applying lipstick, mascara, brushing her hair back in the mirror or a car floating eerily through blue space. Traditionally in cinema such mirror shots lay bare the unconscious bourgeois fantasies of the proletariat. Fassbinder understands this and makes exceptional use of the image to emphasize his belief that "All classes betray their own character and favor the next...
...essence, Kirchner has produced music for a pageant - the pageantry in this case being the external processions of Henderson's mind. Sensing this, Director Tom O'Horgan (Hair, Jesus Christ Superstar) has rolled out the ribbons and ordered up some eye-catching costumes from Designer Randy Barcelo. The first entrance of the natives has a typically splendiferous O'Horgan touch. The sun rises to reveal Princess Mtalba sitting high atop a pyramidlike structure. Then the queen is discovered in a formal pose just below her. Then the entire population of the village emerges from under the queen...