Word: hairs
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Dates: during 2000-2009
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...abilities and the skillful editing of the film genuinely convey Sayuri’s development from clumsy apprentice to confirmed, graceful geisha. Zhang’s depth of performance is best demonstrated in a scene in which Sayuri debuts in a solo dance, swaying crazily over the stage, her hair flying wildly over a white kimono—while she is performing for all of Kyoto, her facial expressions convey that she is personally dancing for the Chairman (Ken Watanabe) whom she loves. There is always the risk that Hollywood’s sound and visual effects will ruin...
...biggest problem in the movie is Meredith, an over-the-top example of female strength gone awry. Parker’s traded-in her trademark Manohlos, cosmopolitans, and oversized flower pins for an unflattering corporate attire. Meredith is a woman more comfortable in trousers with her hair in a bun. She might as well be chewing on a cigar. It’s possible that Parker is trying to move out of her “Sex and the City” days, but this frigid ice queen role departs too far from Dolce & Gabbana, where she seems much more...
...finale to scores of small incidents that occur in all large cities when aggrieved young men gather at swimming pools and beaches, in car parks, nightclubs and at football games. It's not a clash of religions, civilizations or even ideologies. They may dress or have their hair cut differently, but the combatants are pea brains in a pod: Australian-born, idle and stunted. They're spectators in the new economy, and the rise of the smart worker has left them smelling like losers...
...heroin in Cambodia and was caught in transit at Singapore's Changi Airport. Australian officials lobbied unsuccessfully to stop his execution. Singapore rejected Nguyen's request to have a final hug with family members, but allowed his mother to hold his hand and touch his face and hair the day before he was hanged. Australian Attorney General Philip Ruddock called the execution a "barbaric...
Fans of tight bellbottoms and stilted acting: H.B. Halicki’s original “Gone in 60 Seconds” is the Holy Grail. Halicki’s fast-and-furious 1974 thriller is chock full of women with skyscraping AquaNet-infused hair and, of course, plenty of cops-and-robbers car-chase sequences. Unfortunately, despite multitudes of overly-tan men with enormous sideburns, the original “Gone in 60 Seconds” can’t hold a candle to director Dominic Sena’s 2000 remake—skipping...