Word: hairs
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...psychology professor is smiling. It’s a warm day in Cambridge, the first in a while, and the sun coming in through the window shines off his endearingly bald head. “The Hair of the Man,” a poem celebrating the joys of baldness, decorates the wooden door to his corner office on the 14th floor of William James. Entering his office is not unlike asking him a question—the result is a stream of new ideas and unexpected discoveries. On the giant bulletin board, strands of jewel-toned Mardi Gras beads...
...With perfect control, she grabbed his collar and ripped open his shirt. She heard the buttons skitter to the floor as she stared at the damp hair clinging to his pallid chest. She paused, breathing heavily, as Frederick blinked at her. Almost trembling with contempt, she pursed her lips and spat in his face...
...does an adequate job playing the part of Jack’s colleague and friend, George. Both leads, Prinze and Manning, are experienced enough actors to deliver believable performances, though Manning’s dynamic character somewhat steals the show. As a victim of cystic fibrosis with bright blonde hair who manages to radiate happiness in spite of her condition, Jill is back-and-forth between jovial and sad. Manning’s ability to balance both of these emotions—as well as embody their effects in one performance—is noteworthy, while Prinze?...
...quickly zooms in, bringing the viewer through the city’s skyline right into Lil’ Wayne’s hotel room, where he stands looking at himself in the mirror and making sure he’s ready for a night on the town. Once his hair looks just right and he’s collected a good variety of dice-shaped lollipops, Wayne moves on to the lobby, where he’s congratulated by Static Major on his fine choice of accessories. They then board some sort of Mack Truck limousine, on which they...
...entranced him. In “Deep Kiss,” a middle-aged man recalls a girlfriend whom he treated badly. Wolff brushes the actual drama into the shadows. By drawing seemingly obscure details—turning on the heater in a car, a curl of hair on someone’s nape, a remembered lunch—into the foreground, he manages to imbue the characters with a real emotional accessibility.Only two of the 11 new stories are letdowns. “That Room” comes right after Wolff’s old thriller...