Word: hairs
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...this West Side Story revival worth seeing? Sure it is. The show's daring, its social message, its innovative use of dance, are still impressive - for both a West Side Story veteran and a virgin. But unlike some other recent Broadway comebacks (the revival of Hair, for example), I didn't come away feeling that a great show had had its place in Broadway history triumphantly renewed. I left the theater with the gnawing sense that a revered Broadway classic may have seen better days...
...just under five feet tall, with a head of two-toned—red and white—hair shaped in a severe, down-to-business bob, and a raspy voice characteristic of the French, Agnès Varda is impossible to miss. Besides the fact that she is essentially the only famous female filmmaker to have emerged during the French New Wave in the 1960s—an aesthetic turning point in the history of film when naturalistic settings and real-life plot lines challenged traditional, cheesy Hollywood conventions—Varda is a powerhouse.Varda was celebrated...
...hear her leading the students in an enthusiastic chorus of "Penis! Penis! Penis! Vagina! Vagina! Vagina!" "Until they can use the real names for their body parts without giggling," she explains, "you can't talk to them about anything serious." The attractive 27-year-old with straight blond hair is one of those rare souls who not only tolerate middle schoolers but also enjoy them in all their overcaffeinated, hormone-addled, hyperkinetic glory...
...trust GM falls to Zu Guttenberg, who took up his new job just four weeks ago. At 37, he's the youngest economy minister in Germany's post-war history and already he's being hailed as one of the country's most popular politicians. With his slicked-back hair, and boyish good looks, Zu Guttenberg exudes the one thing which most German politicians lack: charisma. Unlike his predecessor Michael Glos, a 64 year-old political veteran who shied away from the cameras, Zu Guttenberg has gone on a major media offensive...
...presentation of the modern within the classical confines of ukiyo-e prints is oddly unsettling, as if the artist could not quite come to terms with the new world, and perhaps didn't want to. In one print, for example, a woman in traditional kimono and lacquered hair watches wistfully as a young girl, hair flying behind her, joyfully rides a bicycle...