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Word: haitianize (lookup in dictionary) (lookup stats)
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Prominent Haitian artist and former Guggenheim fellow Marilene Phipps opened an exhibit of her artwork last Friday at the David Rockefeller Center for Latin American Studies, drawing in a crowd of approximately 40 people...

Author: NO WRITER ATTRIBUTED | Title: Rockefeller Cntr. Hosts Phipps Exhibit | 10/13/1998 | See Source »

...success as a writer came quickly. She graduated from Barnard College in 1990 and earned an M.F.A. from Brown three years later. Her first novel, Breath, Eyes, Memory, a semi-autobiographical tale of a Haitian girl reunited with her mother in the U.S., was published in 1994. The lyrical and haunting short-story collection Krik? Krak! came out the following year. And earlier this year, Danticat won the literary lottery when Oprah Winfrey chose Breath, Eyes, Memory as the June selection for her hugely popular on-air book club. "The call came out of the blue," says Danticat...

Author: /time Magazine | Title: Books: Smiling Amid Corpses | 9/7/1998 | See Source »

...however, newer immigrant groups areemerging and influencing politics. Hamilton saysSomerville's Haitian, Brazilian and El Salvadorianaction groups are some of the city's most vocalpolitical organizations...

Author: By Stephanie K. Clifford, CRIMSON STAFF WRITER | Title: The Next Cambridge | 6/4/1998 | See Source »

...wonder how Fritzner Alphonse, the artist who painted the original of which the Lowell House poster is a print, would feel that his work is now "off-limits." Who is Fritzner? It turns out that he is a Haitian folk artist who was born on July 18, 1938 in Port-au-Prince, Haiti. He was leather tanner, like his father before him, until 1972, when at the age of 34 he painted his first tableau. He has been an artist ever since. Fritzner is part of a generation of Haitian artists to be influenced by the Centre d' Arte, which...

Author: By Daniel M. Suleiman, | Title: What's in a Watermelon? | 4/27/1998 | See Source »

...this print be read? Was Lowell House too hasty in its decision to remove the poster? Would a plaque providing information about the artist and his history be enough to allay fears of racism? And the crux of the matter, is Lowell House the appropriate place for potentially offensive Haitian folk art to be hanging...

Author: By Daniel M. Suleiman, | Title: What's in a Watermelon? | 4/27/1998 | See Source »

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