Word: halasz
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Dates: during 1960-1969
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...SWINGER'S GUIDE TO LONDON by Piri Halasz. 207 pages. Coward-McCann...
...very serious about their seemingly playful work, and their background is apt to be broader-or at any rate more technical-than that of the traditional artist. Their experience includes such far-away fields as nuclear physics, optics and electronics. "They are of the technical age," says Piri Halasz, who wrote the story, "but they remain artists primarily." Researcher Leah Gordon found Nuclear Engineer Earl Reiback's projection technology so complicated that she brought along Science Researcher Sydnor Vanderschmidt to help her interview...
When she visited London in 1949 as quite a young girl, Piri Halasz looked at the bomb sites, went to Madame Tussaud's, the Tower of London, Dickens' Old Curiosity Shop, and a pub where she remembers having "a dreary serving of watery mashed potatoes and Brussels sprouts." Somehow that wasn't enough to discourage her. She remained a complete Anglophile, majored in English literature at Barnard, wrote her senior thesis on T. S. Eliot, and went back last year to find a better England. It was L'Etoile and Ad Lib and the trattorias...
...taxes on its Mecca Temple, Fiorello La Guardia foreclosed. The place was an unsalable white elephant, a dome-topped edifice built in 1925 and styled in Turkish-bath rococo. La Guardia finally decided to subsidize an opera company to present quality productions at moderate prices. Hungarian-born Conductor Laszlo Halasz was recruited as director, and in 1944 the New York City Opera made its debut with Tosca. It was a shaky start. In Tosca's last act, the guns of the firing squad failed to go off and the hapless hero was obliged to keel over in dead silence...
...Mannes College of Music. When the New York City Opera got going, so did Rudel, then 22. He was everything from rehearsal pianist to curtain puller to stand-in for ailing members of the chorus. In 1957, after a clash between the opera board and Erich Leinsdorf (who followed Halasz and Joseph Rosenstock) left the company without a conductor, Rudel was appointed director. The decision was made, says one board member, partly because "Julius was the only man in the place who knew where all the scenery was buried." Just as compelling was a petition from the company...