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Word: half-hour (lookup in dictionary) (lookup stats)
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...meet my friend at 3. Yeah, tell me about it. The NYC subways being the NYC subways, I got to Port Authority at 11:30, about 10 minutes before another bus (on a different bus line) was schedule to leave. Not too bad, I would only lose about a half-hour of imbibing the essence of Princeton...

Author: By Eric B. Fried, | Title: So Where Did You Go Over Vacation? | 4/5/1978 | See Source »

...film's tedious final half-hour is more ideologically right-minded than dramatically convincing. Mazursky never has figured out how to wrap up his movies. Yet along the way his script offers one moment of recognition after another. Some of the funniest occur when Erica and her female friends get together for in formal consciousness-raising sessions that are accurately described as "part Mary Hartman, part Ingmar Bergman." Mazursky has also written some moving scenes for Erica and her 15-year-old daughter (Lisa Lucas); he understands painfully well the bottomless angers and conflicting loyalties that divorce creates among...

Author: /time Magazine | Title: Cinema: Love the Second Time Around | 3/6/1978 | See Source »

...comfortable." Not too long, however. Balanchine began with a structure for Ballo, but no steps. Says Ashley: "He wears these clunky shoes and does funny things with his feet. Then you move and he looks. My pas de deux took about an hour to work out, my variation a half-hour. Sometimes he would say, 'No one can do that step, so we will do it.' Well, sometimes we didn...

Author: /time Magazine | Title: Dance: Boys and Girls, but Not Together | 2/6/1978 | See Source »

Members of the Land Re-use Committee, the board that will recommend a developer for the 4.2-acre site to the State Secretary of Finance, heard opinions during an hour-and-a-half reserved for public comments. The discussion followed a half-hour slide presentation by the two developers...

Author: NO WRITER ATTRIBUTED | Title: Residents Discuss Plans For JFK Land | 2/3/1978 | See Source »

George Arvantis's cinematography has both sweep and intimacy, although there is too much use of the zoom lens--a noxious device--especially on Agamemnon, who is on the receiving end several times in the first few scenes. Mikis Theodorakis's music begins execrably, thudding around in the first half-hour like a discard from some horror movie, but it begins to wake up with the arrival in Aulis of Iphigenia, and in the final scene provides lively, uplifting support during her climb. This is music that suggests a quiet grandeur without a hint of soupiness...

Author: By David B. Edelstein, | Title: A Tragedy--but not a Total Loss | 1/16/1978 | See Source »

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