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Word: halfe (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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FORTY CARATS is a frothy French farce from Pierre Barillet and Jean-Pierre Gredy, the team that wrote Cactus Flower. Julie Harris, as a twice-divorced damsel of 40 who is wooed and won by a lad nearly half her age, proves that love is a game for all seasons. As a tonic for middle-aged matrons, the play is so potent that Producer David Merrick may have to institute extra matinees to handle the crush...

Author: /time Magazine | Title: Television: Jan. 10, 1969 | 1/10/1969 | See Source »

...other half of the "wreckers" circle is said to be those who "call themselves Maoists." It is hard to know exactly who Dean Ford means by this phrase, but the most likely candidates are the members of Progressive Labor. Dean Ford's phrase, however, is worse than vague. For the term suggests a false analogy to Stalinist or Trotskyite (which Ford tries to disavow, though not explicitly). "Maoist" suggests someone under the domination of a rigid, foreign (un-American?) ideology. To call members of Progressive Labor Maoists, in ignorance of the content of their programs, is meaningless: worse...

Author: By Timothy D. Gould, | Title: An Open Letter to Liberals at Harvard From An Unrestful Radical | 1/9/1969 | See Source »

...problem it covers over is by no means trivial. At least as many of Harvard's disorders are caused by failure of the Faculty to use powers informally delegated to them as by any inadequacies of the Corporation. It is perhaps inevitable that almost never as many as half the eligible voters show up for a Faculty meeting, and that most of the work is done by the far smaller group that serves on ad hoc and standing committees. Still, students can legitimately be dismayed at events like the December Faculty meeting at which it was clear, according to several...

Author: By Richard R. Edmonds, | Title: Galbraith's Footnote | 1/9/1969 | See Source »

PETER BOGDANOVICH'S Targets, a low-budget oddity of considerable merit, snuck into Boston last week on the bottom half of an exploitation bill at the Center. Paramount, the distributor, doesn't know how to handle the film--a realistic shocker about an All-American boy-turned-sniper on the rampage--and despite good reviews and box office on its initial theatrical engagements, they stuck a plea for gun control arbitrarily before the credits, then decided not to open the film at all. In the depths of his soul, film critic Bogdanovich probably doesn't care. After all, many films...

Author: By Tim Hunter, | Title: Targets and Inga | 1/7/1969 | See Source »

Inga has one of those ludicrous plots of a simplicity so disastrous it would take me half a page to synopsize it. I will say that it concerns a lot of people hassling over sex and money and that four of the film's five degenerates lose out in the end, and the fifth gets Inga, a success of dubious distinction to say the least...

Author: By Tim Hunter, | Title: Targets and Inga | 1/7/1969 | See Source »

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