Word: hall
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Dates: during 1960-1969
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...Harvard, University Hall was seized for the fourth time this year. Two weeks ago, members of the Organization for Black Unity partially occupied the administration building to dramatize their demand that 20% of the construction workers on future Harvard buildings be drawn from black and other "third world" groups. Last week Harvard officials cited the fact that the nonwhite population of Cambridge is less than 10%, and called the 20% proposal "gross and seemingly illegal discrimination." Next day black students responded by preventing workers from entering a Harvard construction site, taking over the faculty club and seizing University Hall...
ENTERTAINMENT. Movies were more expensive, up 25? per ticket in Manhattan's Radio City Music Hall. The cost of watching a Pittsburgh Steelers home game rose from $6 to $7-plus a 15? surcharge to help pay for a now abuilding stadium, whose estimated price increased from $32 million last spring to $35 million at present. In the taverns of the steel city, the 15? beer could be found no more; it now costs...
...finally life itself in a racking finish that leaves the spectator as weary, and in a sense, as degraded as the participants. But it is precisely because of Gloria's inexhaustible drive that the film buckles. The dancers stay up for more than a thousand hours. The hall becomes a human zoo where legs, spines and, finally, minds fail. Rocky extends a typically cynical offer: Why don't Gloria and her new partner Robert get married out there on the floor? They can get divorced afterward, can't they? After all, warns...
Devoid of motivation and imprisoned in the dance hall, the movie hungers for some message from the outside world. The contestants are soon reduced to figures without a landscape, whose despair is often expressed but seldom reasoned. Even Director Sydney Pollack seems to sense the claustrophobic atmosphere-and he restively punctuates the nonhappenings with slow-motion scenes and rapid flash-forwards. Seldom effective and much too mannered, they serve only to bring the wrong kind of poverty to the project...
Dead Anyway. The movie is well served by the shimmering, bleached-out color photography of Conrad Hall. It Is obvious from the opening scenes, however, that this is most deeply Director Polonsky's picture. Author of the remarkable script for Body and Soul ("Everybody dies!"), Polonsky made his directorial debut with another John Garfield movie, Force of Evil, in 1948. An ode to gangsterism and individual morality, it passed almost unnoticed on initial release. As a lifelong proponent of the sort of radical politics frowned upon during the witch hunts of the 1940s, Polonsky did not long escape...