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Word: hallelujah (lookup in dictionary) (lookup stats)
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This latest variation comes complete with a chorus line of Aggie football jocks bursting at the seams, an investigative reporter mildly reminiscent of the Rev. Billy Sol Hargas (Say Hallelujah!), and a tap-dancing guv'nah who says things like "the Jews and the A-rabs should settle matters in a Christian fashion" and "the real cause of unemployment, it's the people out of work." Given these elements, it's hard not to enjoy the show. For entertainment's sake, Whorehouse is about as close to dead solid perfect...

Author: By Laurence S. Grafstein, | Title: Dead Solid Texas | 10/9/1979 | See Source »

...band is the star of this show. You'll like them if you liked The Who, a band I like very much. Tommy is the closest thing around to rock's Messiah, and it is as sacreligious to rape the "Acid Queen" as it would be to rearrange the Hallelujah chorus. The band is tight, clean, and faithful to the original...

Author: By Thomas M. Levenson, | Title: One More For Keith | 5/2/1979 | See Source »

...opponent was a young Catholic priest with a tough hook shot and a knack for sneaking sermons in during games of one-on-one. "You know what we all have in common, don't you?" he asked during a break. "Sure, we're all soldiers of the Lord, hallelujah," I answered, tossing up a set shot from the left side. "We're going to die," he said, spoiling my game for the rest...

Author: By Francis J. Connolly president, | Title: A Parting Shot | 1/31/1979 | See Source »

...setting out key issues, with Egyptian and Israeli positions on each, plus U.S. alternatives. As evening begins, Israelis hold Shabbat dinner. Jimmy and Rosalynn attend, stay for two hours, drink Carmel wine, sing songs, including one from Fiddler on the Roof, which Carter likes be cause it keeps repeating "hallelujah...

Author: /time Magazine | Title: Nation: Ordeal In the Mountains | 10/2/1978 | See Source »

...themes are mostly the Nashville perennials of hootch, heartbreak and hallelujah. But his best songs-chronicles of a tough, sensitive drifter-have a gritty conviction that comes from being unsparingly autobiographical. As Willie says, they are "songs that had to come out." The deep lines around Willie's surprisingly gentle brown eyes bear witness to a lot of hard days and even harder nights, and he sings about them with sentiment but no sentimentality, with pain but no self-pity. He celebrates their brief, boisterous pleasures, as in I Gotta Get Drunk...

Author: /time Magazine | Title: Music: Country's Platinum Outlaw | 9/18/1978 | See Source »

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