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Word: hallelujahs (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

Moscow sings "Hallelujah...

Author: /time Magazine | Title: Music: Lenin's Rockers | 7/20/1981 | See Source »

...fighters screamed overhead in tight formation, native horns blasted, and a 1,000-voice choir boomed out Handel's Hallelujah Chorus ("And he shall reign for ever and ever") with no apparent sense of irony. Yet perhaps the greatest source of satisfaction for President Ferdinand Marcos last week as he celebrated his third inauguration in 16 years was that standing on the rostrum with Marcos and his wife Imelda was U.S. Vice President George Bush. After years of friction with Jimmy Carter over human rights, the Marcos regime was in favor again with a U.S. President. Indeed, Bush went...

Author: /time Magazine | Title: Philippines: Together Again | 7/13/1981 | See Source »

...director, I say hallelujah," Nathan I. Huggins, chairman of the Afro-American Studies Department and director of the DuBois Institute, said last week...

Author: By Burton F. Jablin, | Title: Study Stresses DuBois Institute Role | 11/10/1980 | See Source »

...Manny and John Bottoms as the sinister Governor especially stand out. Geidt's impish sweet-talking and the Governor's calm imperturbability enliven a slightly sluggish first act. Kenneth Ryan plays Bill Cracker as a sulky, rughtless lump; he provides a good foil to the more aggressive and articulate Hallelujah Lil. The gang's rather indifferent voices, however, fail to do justice to Weill's music...

Author: By Susan D. Chira, | Title: Kurt and Bert, Redux | 5/6/1980 | See Source »

...Marilyn Casey's performance as Hallelujah Lil, however, that rescues Happy End from triteness. Casey provides one of the few bits of effective social commentary with her jabs at the hypocrisy of the Army hierarchy. Her sure, colorful voice invests the Weill/Brecht songs with an emotional depth that shames the plot's cliches. Casey uses the songs to suggest contradictions in Lil's character that the script brushes over. In the biting "Sailor's Tango"--sung to convert Bill-the evangelist smolders with sexual invitation. She turns the haunting denunciation of love into its tender yet rueful opposite--a declaration...

Author: By Susan D. Chira, | Title: Kurt and Bert, Redux | 5/6/1980 | See Source »

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