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...women in the nation's early days used powdered chalk and fresh-cut beet juice for beauty, but the onset of the Victorian age made "paint and powder" the hallmark of the dance-hall girl or the woman of the street. The Gibson girl, created by Artist Charles Dana Gibson, was the modest and aloof dream girl of U.S. males in the early years of the century. It was not until World War I that makeup crawled back to respectability, and not until the Roaring Twenties that it dared to flaunt its painted face-under a permanent wave, invented...

Author: /time Magazine | Title: MODERN LIVING: The Pink Jungle | 6/16/1958 | See Source »

...Hallmark Hall of Fame: In a faultless presentation of the modern crime classic Dial M for Murder, Actor Maurice Evans again showed the British capacity for making the gentle art of homicide good clean fun. Once again, in a role he played on Broadway for some 500 performances, Evans decided that he preferred his wife's money to his wife (Rosemary Harris), then saw his plans go agley in a monstrous inversion of his custom-built plot. Brilliantly adapted for TV by its playwright, Frederick Knott, Dial M was a marvel of mobility, leaped from pub to club...

Author: /time Magazine | Title: Television: Review | 5/5/1958 | See Source »

Back in 1952 Hallmark was a series of half-hour plays of vaguely inspirational intent presided over by Sarah Churchill. Hallmark's Executive Producer Mildred Freed Alberg, then only a freelance TV scriptwriter, persuaded Actor Evans to try his famed Hamlet on TV, sat down and wrote an impressive two-hour adaptation of the play. She persuaded Hallmark Cards' canny President Joyce C. Hall to back her. In those days, two hours of Shakespeare was a heady gamble, but Evans' Hamlet was a whacking success, and Hallmark was credited with breaking TV's time barrier. Since...

Author: /time Magazine | Title: Television: Review | 5/5/1958 | See Source »

Back in the U.S., he had a fling at Hollywood again (26 frustrating weeks under a writer's contract), but began to hit his stride on Hallmark with his adaptations of Cradle Song and The Lark. But Little Moon, exuberantly greeted by most U.S. TV critics last week, seemed to mark a big upturn in Costigan's career. In it he grappled compassionately with "those forces in life that make it difficult or impossible," qualified as the kind of writer once described by Pascal in a line that Costigan likes to quote: ''I most admire those...

Author: /time Magazine | Title: Television: Compassionate Young Man | 4/7/1958 | See Source »

Battered old movie posters still flapped in the Hollywood breezes on the high walls of the old RKO lot last week. But towering above the lot, in huge black letters on the freshly painted silver water tower, loomed a new hallmark: Desilu Studios. Below it, cameramen were already shooting TV films on five of the lot's 14 stages, while an army of wreckers, carpenters, painters and plasterers exorcised the past for the arrival of the new owners: onetime Bongo Drummer Desiderio Alberto Arnaz y De Acha III, 41, and his round-eyed, henna-crested wife, Comedienne Lucille Ball...

Author: /time Magazine | Title: Television: The New Tycoon | 4/7/1958 | See Source »

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