Word: halls
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Dates: during 1970-1979
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...American City. It has indeed produced such All-American institutions as Ohio State and Woody Hayes; James Thurber, who migrated to The New Yorker; John Glenn, of space and the U.S. Senate; George Wesley Bellows, the early 20th century painter-lithographer, who moved east; as well as the Accounting Hall of Fame, which never said "Goodbye, Columbus...
...brick and stone, the Old State House in downtown Hartford was designed by the new nation's foremost architect, Charles Bulfinch, who later did extensive work on the nation's Capitol. Having served as the seat of state government from 1796 to 1878 and the city hall from 1879 to 1915, the building was declared a landmark in 1960 and turned into a museum of Connecticut history. Since then, however, maintenance funds have been scarce, and city officials began to talk of razing the deteriorating edifice to make way for office buildings...
...obviously 1 not quite fit as a fiedler, but nobody in Boston's packed Symphony Hall had expected him to be. For one thing, the Hub's beloved grouch and historic landmark, white-thatched Conductor Arthur Fiedler, 84, was climbing the podium to commence his 50th season as leader of the Boston Pops. More, Fiedler scarcely five months earlier had undergone massive brain surgery. The years and fears showed mainly in the fit of his bib: Fiedler ill had lost so much weight that Wife Ellen insisted on smaller tails from Brooks Brothers. Otherwise, things Pops-wise were...
...mark the 150th anniversary of the composer's birth last week, what could be more fitting than for Pianist and Gottschalk Fancier Eugene List to take over Carnegie Hall for a "monster concert" in the master's manner? 40 PIANISTS! 400 FINGERS! 880 PIANO KEYS! said the posters. Actually, there were 41 pianists, all current or former students of List's in his more staid guise as a teacher (first at the University of Rochester's Eastman School of Music, now at New York University). Following a sort of platoon system, the performers came and went...
...good enough thing. But perhaps they missed the point. The evening, with its interlude of vocal selections and its entr'acte speech by Gottschalk Scholar Robert Offergeld, was intended as a nostalgic entertainment, a good-humored throwback to a more innocent age when the concert hall had to mediate between the salon and the circus. If Gottschalk's significance did not always come through clearly, his flamboyant spirit certainly...