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...Visitation, an opera based loosely on Franz Kafka's The Trial, is U.S. Composer Gunther Schuller's way of dealing "with the Kafkaesque in the Negro problem." Judging by the response of the Hamburg audience that saw the first performance last week, Schuller has made a good deal...

Author: /time Magazine | Title: New Works: Kafka on Trial | 10/21/1966 | See Source »

...with the full orchestra. In one impressive orchestral interlude, the foreboding of violence is achieved by the integration of threatening crowd noises broadcast through loudspeakers in the rear of the auditorium, sustained, jaggedly dissonant chords from the orchestra, and frantic improvisations from the jazz combo. At the curtain, the Hamburg audience exploded in a great ovation, called Boatwright back again and again for bows...

Author: /time Magazine | Title: New Works: Kafka on Trial | 10/21/1966 | See Source »

Flushed with success, Hamburg State Opera Director Rolf Liebermann described The Visitation as "the best opera since Wozzeck." U.S. audiences may have a chance to see and hear for themselves next summer, when Liebermann expects to bring The Visitation to Manhattan as part of the Hamburg Opera's first American visit...

Author: /time Magazine | Title: New Works: Kafka on Trial | 10/21/1966 | See Source »

Died. Kurt Bolender, 54, onetime Nazi SS sergeant who was working under an assumed name in a Hamburg brewery in 1961 when he was arrested as a war criminal, accused of having murdered some 360 inmates and assisted in the deaths of 86,000 more at Sobibor, a World War II extermination camp in Poland, charges he denied throughout his long, still uncompleted trial; by his own hand (he hanged himself in his cell, leaving a suicide note insisting that he was innocent); in Hagen, West Germany...

Author: /time Magazine | Title: Milestones: Oct. 21, 1966 | 10/21/1966 | See Source »

BEETHOVEN: FIDELIO (2 LPs; Nonesuch). A less grandiose effort at another demanding opera is on the whole more satisfying. Beethoven's only opera draws much of its beauty from a succession of duets, trios and quartets; and all hands, under the direction of Carl Bamberger with Hamburg's Norddeutscher Rundfunk Orchestra, are nimble, experienced ensemble singers. As Leonore, Gladys Kuchta reaches everything but the heights of Abscheulicher!; Julius Patzak, who had been singing for 35 years when this record was made, still sounds fresh and sturdy as Florestan; the best performance on the record is Melita Muszely...

Author: /time Magazine | Title: Television: Sep. 9, 1966 | 9/9/1966 | See Source »

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