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Poor, scrawny, rich Twiggy. Last week it was one Professor Rupprecht Bernbeck, a Hamburg orthopedist, who viewed with alarm the 17-year-old cockney dowsing rod, opined that "practically everything is wrong with her-she has a humpback, exaggerated curvature of the spine and a hanging abdomen," all leading inevitably to "pains in the loins and the hips." Nothing would help old Twig, he added, except maybe swimming or "crawling around on all fours for ten minutes each morning and evening." Whereupon Mrs. Nell Hornby, Twiggy's mother, spoke up: "What a load of rubbish...

Author: /time Magazine | Title: People: Jul. 7, 1967 | 7/7/1967 | See Source »

...reputation that preceded the Hamburg State Opera into Manhattan's Lincoln Center was formidable indeed. Hamburg's powerful productions of a varied, venturesome repertory made it, said one Lincoln Center official, "the most exciting opera company in the world." Last week the Hamburgers, the first foreign company invited to appear in the Metropolitan's new house, justified their advance billing by stylishly bringing off a daunting array of New York premieres: a vividly atmospheric Lulu, by Alban Berg; a vocally polished and forceful Mathis der Maler, by Paul Hindemith; and a flowing and convincingly dramatic Jacobovsky...

Author: /time Magazine | Title: Opera: How to Hear Ahead | 7/7/1967 | See Source »

...Directions. The Hamburg Opera's distinctive approach, which Germans call "realistic musical theater," is not often seen in America. Instead of featuring barnstorming stars with showy voices, the company uses lesser-known but accomplished singers (many of them American) who stay with the company throughout the ten-month season and blend smoothly into the overall musical texture. Instead of garnishing glorious music with pageantry and posturing, Hamburg produces cohesive, hard-hitting dramatic performances, in which the text is as important as the score. And instead of sticking with proven but sometimes flyblown versions of operatic warhorses, it mounts eight...

Author: /time Magazine | Title: Opera: How to Hear Ahead | 7/7/1967 | See Source »

While experimenting in 1948, Geneticist Hannes Laven of the Johannes Gutenberg University in Mainz discovered that common mosquitoes from Paris that were mated with members of the same species from Hamburg would not produce offspring. The reason for this sterility, he determined, was a difference in the cytoplasm (the protoplasm surrounding the cell nucleus) between the Paris and Hamburg strains of mosquitoes. Because of this difference, the egg cells of the females of one strain could not accept the sperm cells from males of the other strain, causing the female to lay infertile eggs. This Franco-German incompatibility...

Author: /time Magazine | Title: Entomology: Swatting Mosquitoes with Sex | 6/23/1967 | See Source »

...just stepped up to the elder-statesman role of chairman of its supervisory board. To succeed him as Sprecher des Vorstandes, or speaker for its ten-man executive board, the Frankfurt-based bank picked not one but two associates: Karl Klasen, 58, head of its Hamburg office, and Franz Heinrich Ulrich, 56, who will also continue to manage its Dusseldorf division. Though withdrawing from active banking, Abs remains one of his country's most powerful businessmen. A director of 29 large companies, he retains the chairmanship of 15, including Daimler-Benz, Lufthansa and the Deutsche Bundesbahn, the state-owned...

Author: /time Magazine | Title: West Germany: Two Sprecher for One | 6/16/1967 | See Source »

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