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Word: hamlets (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...this span the Renaissance style was on the wane, though still much in evidence; the Mannerist style was in full swing; and the Baroque style was in its vigorous infancy. Thus it is that Shakespeare's output reflects all three styles: in the tragedies, for example, Othello is Baroque, Hamlet and King Lear are Mannerist, and Romeo and Juliet is Renaissance...

Author: By Caldwell Titcomb, | Title: Romeo and Juliet | 6/29/1959 | See Source »

...less talent for expressing it. What Gide possessed that the illegitimate cultural brood of his hobohemian descendants lacks was self-discipline and a demanding conscience for being honest with himself. It is this combination that makes So Be It's pages as unmistakably individual as a speech by Hamlet...

Author: /time Magazine | Title: Books: Gide's Goodbye | 6/15/1959 | See Source »

...paragraph, Hamlet-like in itself, sums up the strengths and the weaknesses of André Gide: "I hope the young man who may read me will feel on an equal footing with me. I don't bring any doctrine; I resist giving advice; and in a discussion I beat a hasty retreat. But I know that today many seek their way gropingly and don't know in whom to trust. To them I say: believe those who are seeking the truth; doubt those who find it; doubt everything, but don't doubt of yourself. There is more...

Author: /time Magazine | Title: Books: Gide's Goodbye | 6/15/1959 | See Source »

...Othello that split the Moor into three abstractly made-up characters who represented separate aspects of the tormented hero's character. Three years later he persuaded Actor Burgess Meredith to quit his role as Sakini in Teahouse of the August Moon, be anchor prince in a four-hero Hamlet. Last week Baker stood by as 115 student actors presented his headiest experiment: a complex, three-hour dramatization of Thomas Wolfe's sprawling novel. Of Time and the River...

Author: /time Magazine | Title: Education: Wolfe in Waco | 4/27/1959 | See Source »

Dramatically, the film divides in two. Judd and Artie are pictured in their furtive and bumbling friendship--Judd much the more attractive of the two, because of his curious morality of anti-morality ("I tell you evil is beautiful"). Judd becomes a kind of ignoble Hamlet, a boy of "superior intellect" ill-adapted to a slick world of Stutz-Bearcats, bootlegged gin, and flappers. Artie, who dares him on, commands less sympathy, but lends a certain amount of humor in his badgering of the police and elaborately contrived lying...

Author: By Stephen C. Clapp, | Title: Compulsion | 4/15/1959 | See Source »

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