Word: hamlets
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...leftists. Though he has lately tried to moderate his image, some Salvadorans seem to be taking his tough talk at face value. Workers who regularly count the bodies dumped along the roadsides report that political murders have increased some 20% since the elections. And in the tiny mud-hut hamlet of Barrios last week, survivors of an alleged Sunday-morning massacre told reporters that 48 fellow villagers, more than half of them less than twelve years old, had been killed by Salvadoran soldiers in search of guerrillas...
...loathing for the bad grammar of his colleagues, and shops for mushrooms like Paul Bocuse. He values the purity and simplicity of Western life but rarely enjoys it. Patrick is too busy feeling superior to cowboys, real and rhinestone. Haunted by what he calls "sadness-for-no-reason," this Hamlet in mule-ear boots admires only one thing: horses. Clopping into the sunset on a favorite mare, he exults privately: "I love this scene. It has no booze or women in it." Indeed, it is when those two components are added that the troubles begin...
...this, of course, is the key to the sense of helplessness in this matter. Our books are ourselves, our characters, our insulation against those very people who would take away our books. There, on that wall, Ahab storms. Hamlet mulls. Molly Bloom says yes yes yes. Keats looks into Chapman, who looks at Homer, who looks at Keats. All this happens on a bookshelf continually-while you are out walking the dog, or pouting or asleep. The Punic Wars rage; Emma Bovary pines; Bacon exhorts others to behave the way he never could. Here French is spoken. There Freud...
...carries through to the related phenomenon of terrorism--exemplified, for Cantor, by the kidnapping of Patty Hearst. He applies the Nietzchean construct of a "theater of sacrifice," a drama enacted by a small group of performers for the edification--or manipulation--of a mass audience. A related essay on Hamlet expands the idea of "history as dumbshow," the struggle for power and kingship functioning like a mechanism without motives which keeps fortune's wheel spinning out tragedy after tragedy...
...peddled a brand of entertainment which--as the show gradually reveals--was virtually extinct by the time of Appomattox. In his heyday--set forth in the show's early vignettes--Rice would cavort while telling his audiences morality stories (each with a twist), browbeat them with "verbatim" scenes from Hamlet and Othello and frequently harangue them about politics. With a freewheeling didacticism few audiences today would gravitate to for entertainment, he lengthily described the benefits he had gained in youth by regularly "fertilizing" himself in a barrel of horse manure, and he generously passed on his father's Irish fables...