Word: hamlin
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Dates: during 1960-1969
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...costumes by Lewis Smith. Virginie Jody Locker Felix Mark Bramhall Vezinet Tony Corbett Fadinard Paul Schmidt Anals Wendy Bensinger Emile John A. Williams Nonancourt Paul R. Barstow Helene Etain O'Malley Bobin Thomas Babe Clara Patricia Fay Tardiveau Timothy Mayer Achille de Rosalba Philip Kerr The Baroness Joanne Hamlin Clotilde Loreiel F. Guldry Beauperthule David H. Mills Corporal of the Guard Robert Lanchester
Schmidt is often rescued, however, by the adroit performance of other actors. Pat Fay, who demonstrates her versatility by playing the part of a tough career girl, leads the list of those deserving kudos; Joanne Hamlin and Philip Kerr also merit considerable praise...
...Miss Hamlin captivates the audience with her lisping Baroness, an extremely funny addition to the original script. Her accent was reminiscent of a Bugs Bunny cartoon. Kerr, as her fawning Viscount, was a real dandy, whose reactions to the bewildered Fadinard provided some of the best moments in the show...
Against the energy and verve of Miss Milgrim, Joanne Hamlin's Cynthia is occasionally a bit dull, but her eyes do light up glecfully at the mention of horse racing. It is clear that this woman likes a gay life and has been deprived of it for some time. Her anger is powerful and her tears womenly; at times she is the only person on stage acting like a real human being...
Director George Hamlin has done an extremely skillful blocking job, and the motion does much to augment the thin script. Hamlin's actors move in sumptuous surroundings, designed by Donald Soule. The living room set is appropriately busy and garish, and the bedroom scene is almost worth the price of the ticket with its popsicle pink decor. Lewis Smith's excellent and correctly over-styled costumes complement the sets well...