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Word: hamlin (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Havergal recently accepted a long-standing invitation from George Hamlin, producing director of the Loeb, to come over from his home in Glasgow, Scotland to direct a student production of a play of his choice. In Glasgow, Havergal directs and manages the Citizens' Theatre, which houses a small, active repertory company. One of his partners is playwright Robert David MacDonald, who adapted and translated two plays by Pierre Caron de Beaumarchais into this Figaro, and who has also been a recent guest director at the Loeb. "We're always looking for people who can make a rare contribution to theater...

Author: By David B. Edelstein, | Title: All the World's A Stage: Giles Havergal Comes to the Loeb | 4/28/1978 | See Source »

...Giles makes sure that everyone feels that the characterization came from inside them," says Hamlin. "His psychology worked well with one actor in particular, who is very opinionated about what he can and cannot do. Giles very wisely has found other ways to get him to do what he wants...

Author: By David B. Edelstein, | Title: All the World's A Stage: Giles Havergal Comes to the Loeb | 4/28/1978 | See Source »

...with a "thank-you." Havergal always asks. "Is that okay?" he will say, and you get the feeling he means it. "He's very charming, and very polite. More polite than any student director," Aquino says. His speech is peppered with words like "smashing," and "marvelous," and, according to Hamlin, "his sense of humor is tremendous...

Author: By David B. Edelstein, | Title: All the World's A Stage: Giles Havergal Comes to the Loeb | 4/28/1978 | See Source »

...problem in George Hamlin's current production is that the comic scenes, marked by both bravura acting and a careful attention to detail, come to represent "all the world," while the court scenes, marked by all too pregnant pregnant pauses and constant upstaging, represent nothing so much as the players' own simple-minded political maneuvers. Through this serious chink in the production's armor, one can glimpse the basic weakness of the play; in this dramatic as in the political world position triumphs over character...

Author: By Diane Sherlock, | Title: The Kingdom and the Power | 12/15/1977 | See Source »

...unlikely a place as a tavern named the Boar's Head or from as unlikely a character as the greedy, lusty, lazy, altogether charming Falstaff. It is about how a prince becomes a king, or, even more basically, how a boy grows up. The skill of Loeb director George Hamlin will be revealed this weekend by how successfully he welds all the wicked intrigues, the plots and counterplots of the smaller scheme of things into this larger theme. Performances begin next Wednesday at the Loeb Mainstage...

Author: By Diane Sherlock, | Title: Turkey at The Union; The Show Must Go On | 12/1/1977 | See Source »

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