Search Details

Word: hamline (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...succession of Forty, Count em, Forty, Swiftly Moving and Breathtakingly Dramatic Scenes-See D'Artagnan outwit the Cardinal's guards! See Milady de Winter steal the Queen's jewels from the Duke of Buckingham! See Con-stance, wife of Bonacieux, drink the fatal glass of wine!-George Hamlin's current Loeb production works up virtually every type of scene Polonius could ever want to see. It's a Baskin-Robbins approach to theatre and it includes nigh unto every flavor known...

Author: By Gregg J. Kilday, | Title: Theatre The Three Musketeers at the Loeb | 12/5/1970 | See Source »

...insidious Richelieu, has outlawed the duel, his gallant musketeers still try to work through worn-out codes of loyalty and honor, something that the Cardinal's guards don't share. As a result, every duel devolves into chaos and confusion. And also a good deal of fun. Hamlin's actors seem to have jumped into the project with as much enthusiasm as Tom Sawyer's gang out on a midnight patrol-Tom, you'll remember, was himself something of a Dumas freak-and though it's all still as ridiculous and decadent as even Mark Twain could...

Author: By Gregg J. Kilday, | Title: Theatre The Three Musketeers at the Loeb | 12/5/1970 | See Source »

...think such juvenile delights are all this play has to offer; it's also got its outright adolescent side. Hamlin directs the love affair between the French Queen Anne (Innes-Fergus McDade) and the British Duke of Buckingham (Robert McCleary)-"one of those streaks of fate that change the course of history" we are told-with a delicate seriousness that makes it all the more wonderfully ludicrous. Anne protests that she can't possibly love the Duke because they have "only had 3 meetings in the last 4 years," but minutes later ends up forking over to him jewels given...

Author: By Gregg J. Kilday, | Title: Theatre The Three Musketeers at the Loeb | 12/5/1970 | See Source »

...always beneficial to the unity of the whole. Richelieu's conspiracies almost seem lifted from another, more serious play, for it's hard to fear him as the villain he is when those characters he threatens are viewed with a good deal more irony and humor. Similarly, Hamlin has difficulties combining individual scenes into a fluid progression. Often he wastes time opening scenes with touches of realistic detail that can only serve to remind us of the artificiality of the entire venture. Only at the beginning of the second act does a quick sequence of vignettes suggest the texture...

Author: By Gregg J. Kilday, | Title: Theatre The Three Musketeers at the Loeb | 12/5/1970 | See Source »

Last year at this time, there were only two freshman heavyweight boats still out, and Washburn has been forced to bolster his coaching staff to handle this season's overflow. Charlie Hamlin has been working as the assistant coach, to provide more personal attention for each oarsman...

Author: NO WRITER ATTRIBUTED | Title: Crew Stages Frosh Race | 11/12/1970 | See Source »

Previous | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | Next