Word: hammar
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Dates: during 1970-1979
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...BUDGET summer shockers--Prophecy, alien, The Omen in its time--are all wrong: humorless, literal-minded disasters. Horror movies thrive on satire, wit, ghoulish irreverence (or else elaborately-stylized reverence, as in the Hammar films, to the point where it's funny). Or else lots of erotic overtones. (Alien had some, but they're mitigated by the film's frigidity. Prophecy is sexless.) The British can usually make funnier and more stylish horror films, because they're so good about being shocked: "A vampire you say? My word..." Here are a few of the most precious moments in horror history...
KILLING THE MONSTER is also sanctioned by the Church. The triumph of Britain's Hammar horror films is that thay exploit the connection between aggression, sex, and religion. Each blow of that long, hard stake into the writhing female vampire's bosom practically reverberates with church bells. Perhaps unintentionally, these movies make it easy to see how poor, repressed Puritans could have burned men and women at the stake for witchcraft. Chances are, we would have done the same...