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...permanent move to America is unlikely, however. Wenders says he plans to return when Hammett is finished, and Herzog, that most rug ged of rugged individualists, will make German films wherever he is. Fassbinder, much as he longs to live in Manhattan, cannot escape the destiny that has made him not only German, but a distinct kind of German, the Bavarian. "The new German directors are like airplanes always circling the airport but never landing," says the philosophical Kluge...

Author: /time Magazine | Title: Show Business: Seeking Planets That Do Not Exist | 3/20/1978 | See Source »

Julia settles in Vienna while Lillian throws temper tantrums about writing blocks in her oceanside home and dramatically suffers through her first failures and successes. Cantankerous Dashiell Hammett, Hellman's long-term lover (Jason Robards), calmly listens as Hellman agonizes over such moral dilemmas as whether to contribute part of her unexpectedly large royalties to a good political cause or to buy a sable coat. (We never rind out which she opts...

Author: By Joanne L. Kenen, | Title: Technicolor Portraits | 10/15/1977 | See Source »

...Fonda portrays the writer just as one might envision the temperamental chain smoker. Occasionally, however, Hellman's stubborn scowls become Fonda's cute pouts and Robards's subtle understatements make Fonda seem even shriller. Fonda has her moments of glory, though, particularly as she confronts Broadway sycophants and awaits Hammett's judgments on her work, revealing the underlying dependence upon the older man she spent so much of her energy denying...

Author: By Joanne L. Kenen, | Title: Technicolor Portraits | 10/15/1977 | See Source »

...life by smuggling funds for Julia's group into Germany-- Hellman is Jewish--we are never sure whether she is acting out of political commitment, love for Julia, or simply because she was afraid to display cowardice by refusing her friend's plea. In fact, if the details of Hammett's imprisonment and both writers' blacklisting during the McCarthy era were not well known, a viewer of Julia could justifiably conclude that Hellman's actions stemmed not from conviction but from affection...

Author: By Joanne L. Kenen, | Title: Technicolor Portraits | 10/15/1977 | See Source »

...bland scenes that dwell on Hellman's love affair with Writer Dashiell Hammett (Jason Robards) are as cryptic as they are irrelevant. Meanwhile, other poorly delineated supporting characters prance around without apparent purpose...

Author: /time Magazine | Title: Cinema: A Convoluted Memoir of the '30s | 10/10/1977 | See Source »

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