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Saunders Redding, 48, is a good-looking Negro professor of English at Hampton Institute (Va.), one of the nation's best Negro colleges. One spring day in 1952, the phone rang in his office and a voice said: "This is the State Department. Would you be available for a temporary foreign assignment?" Professor Redding was available; the assignment was India. That summer he traveled 25,000 miles through India, lecturing on America to tens of thousands of curious and often hostile students and professors...

Author: /time Magazine | Title: Books: The Wild Dogs Are Close | 9/20/1954 | See Source »

...studio. Last week a little of the harvest from those barns was on exhibition at the Woodstock Artists Association Gallery. It made a conservative but sunny display. Most Woodstock painters seem to like picturing pleasant things in more or less understandable fashion. (Advance-guardists go elsewhere, chiefly to East Hampton, L.I. and Provincetown, Mass...

Author: /time Magazine | Title: Art: Oil & Martinis | 8/23/1954 | See Source »

...Mallets (Lionel Hampton and guest stars; Victor LP). Twelve tunes, some loud and some sentimental. They are riffed to the accompaniment of deep, throbbing rhythm by a galaxy of greats, many paroled from the Ellington band...

Author: /time Magazine | Title: Music: New Pop Records, Jul. 26, 1954 | 7/26/1954 | See Source »

...Interior chemist, she was born in Washington, where she attended segregated elementary schools, later went to a nonsegregated high school in Albuquerque, studied psychology at Grinnell College in Iowa. The turning point of her college career: a one-term stay as an exchange student at Virginia's Negro Hampton Institute...

Author: /time Magazine | Title: Education: Reverse Integration | 6/14/1954 | See Source »

More recent jazz styles appear on Norman Granz's Clef label, the best of them in Count Basie Big Band, one of the two or three full-size bands that still remember how to play with true jazz feeling, and the Lionel Hampton Quartet, in four long selections (including a razzle-dazzle chase chorus between Hampton's vibraharp and Oscar Peterson's piano). Columbia reels off a big jam session that includes a dizzying 63 choruses of The Huckle-Buck, played by Trumpeter Buck Clayton & Co. Pacific Jazz features the original inventions of the Russ Freeman Trio...

Author: /time Magazine | Title: Music: New Pop Records, may 3, 1954 | 5/3/1954 | See Source »

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