Word: hand
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Dates: during 1960-1969
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Smith had just won the 200-meter dash in a record-breaking 19.8 sec. Carlos, his bearded teammate from San Jose State College, had finished third. Together, they turned up for the awards ceremony shoeless, wearing knee-length black stockings and a black glove on one hand (the right for Tommie, the left for John). Along with Australia's Peter Norman, the second-place finisher, they mounted the victory pedestal to receive their medals. Then, as the U.S. flag was raised and the band struck up The Star-Spangled Banner, the two black athletes bowed their heads and raised...
...heavy or in a menial position. Nor are blacks ever afflicted with bad breath or body odor. Kool cigarettes, for example, casts a Negro actor as a bright young trial lawyer; Viceroy casts another as a bright young stockbroker. Schaefer beer has a junior executive type who plays hand ball at the club with a white friend, who throws his arm around his shoulder as they stroll off to a classy cocktail lounge...
...philosopher's retreat, but the laboratory of a medical scientist. Two operating tables stand in the shadows, and on one of them lies a corpse. Stealthily, two grave robbers arrive with yet another body. As Faust takes the clammy wrist of the fresh cadaver in his hand and sings his first word, "Rien!" (Nothing), it becomes clear that Gounod's famous Faust has been given an eerie new look...
...influenced by Gounod's score, either. "It's sweet, it has charm and grace, and it's romantic -but it can bend any number of ways," he explains. Fortunately, Soprano Beverly Sills (Marguerite), Tenor Michele Molese (Faust), Bass Norman Treigle (Mephistopheles) and Conductor Rudel were on hand to see that it did not bend too much. Some traditionalists felt that it was going too far to deprive Marguerite of her usual departure for heaven in full view of the audience. But Corsaro decided that angels, bells and harps would be too much of a fantasia...
...discotheque in itself. While punching out blues riffs over a pile-driving beat, the brass and saxophone players whirl their instruments around and swivel through the shing-a-ling, the funky Broadway, and other loose-jointed steps-some of their own devising. Leaders in each section use hand signals to cue the choreography...