Word: hand
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Dates: during 2000-2009
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Casablancas’ lyrics work best when he embraces his appointed role as a lovable indie rock miscreant, guilty of overindulgence and carelessness. The excellent “Left & Right in the Dark” incorporates hand claps and a shimmering synth melody into his vocals about not knowing his way in the world: “I’m on my way, oh somewhere / Feels like I’m going left and right in the dark.” He brings a familiar tone of an unapologetic malcontent to “Ludlow Street...
...state department of public health, on the other hand, will recommend the vaccine only to high-risk groups, suggesting other citizens weigh the risks and benefits for themselves...
Since August, we have seen over 400 cases of influenza-like illness, with nearly 300 undergraduates affected going to UHS. Our strategy has been three-pronged. First, we have been educating the Harvard community about flu prevention by advising good hand washing, covering one’s cough, and social distancing from sick individuals. Second, this fall we implemented a large-scale immunization program offering 17,000 vaccines against the seasonal flu. Through this effort, we were able to inoculate over a third of the undergraduate community. Finally, we have been advising self-isolation for individuals diagnosed with ILI. About...
Benjamin’s adventures begin when he signs up for Cletus Fest, the best young fantasy writers’ convention in the state. En route to the convention by schoolbus, he meets Tabatha (Halley Feiffer), just back from Belgium, who claims to write French mysteries about a stable hand named Pierre. Tabatha sees potential in “Yeast Lords,” and with the help of her friend Lonnie Donaho (Héctor Jiménez), who has a speech impediment, a bowl haircut, and most importantly, a production company, she decides to turn it into...
...actual story of “Shrew.” Bensussen manipulates this play-within-a-play trope to great success for the majority of the opening scenes. The actors take on their roles with the delightful awkwardness of children in a school play—scripts in hand, direction shouted at them mid-scene, and endearingly over-the-top line readings. Yet as the show progresses, the actors become more comfortable in their roles, and the production shifts from a clever tongue-in-cheek commentary on social performativity into a relatively normal presentation of Shakespeare’s play...