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...installation will be composed of clear, hand-sewn acetate animal forms and their shadows, sheer fabric, and plexi. It will also rely heavily on a special lighting design,” Stern says. “I chose to work with shadows because, like shadows, reenacted memories are never the thing itself, and they are only witnessed when captured, such as in the space of a theater or upon the pages of a book...

Author: By Vicky Y. L. Ge, CONTRIBUTING WRITER | Title: Preview: THE GLASS MENAGERIE | 2/17/2010 | See Source »

...obvious on “When I Grow Too Old To Dream,” a 1935 tune which Elling quickly belted out, as if to get the words over with, then carefully leaned into notes, producing a searing, rich sound like an alto saxophone. Carter, on the other hand, rollicked over her melody with a slight glissando. At the same time, her raw, grainy sound evoked the subtle sadness and melodic cry of the human voice, which provided a nice counterpoint to Elling’s precise pitch placement...

Author: By Sophie O. Duvernoy, CRIMSON STAFF WRITER | Title: Monterey Jazz Festival On Tour Hits All the Right Notes | 2/17/2010 | See Source »

...Wayne Shorter’s haunting “They Speak No Evil.” His voice, a piercing jet of sound, flew over the jagged melodics, weaving them into a blindingly rapid melody, as Malone and Barron easily grounded him in a modal swing. On the other hand, his rendition of the 13th century mystical poet Rumi’s “I Like The Sunrise,” set to a Von Freeman sax solo, told a melodic story in which his voice fully rounded out, replicating the searing, insistent quality of repeated notes...

Author: By Sophie O. Duvernoy, CRIMSON STAFF WRITER | Title: Monterey Jazz Festival On Tour Hits All the Right Notes | 2/17/2010 | See Source »

...Aeneid”; Leopold Bloom’s very different wandering in “Ulysses” set the bar almost impossibly high for modern adaptations. Mason’s book, then, faces its own Scylla and Charybdis—on the one hand, the menace of literary forerunners whose adaptations are now classics themselves; on the other, the possibility of merely echoing a tale already sung...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Mason Reinvents Homer’s ‘Odyssey’ in ‘The Lost Books’ | 2/17/2010 | See Source »

...moves deftly and confidently out of the realm of adaptation into its own imagined ground. His sentences, brawny and lithe, add their own muscle to Homer’s verse. “When he was drunk, Achilles would take his knife and try to pierce his hand, or, if he was very drunk, his heart, and thereby were the delicate blades of many daggers broken,” he writes of the reckless hero...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Mason Reinvents Homer’s ‘Odyssey’ in ‘The Lost Books’ | 2/17/2010 | See Source »

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