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...slyly autobiographical and self-referential. It begins by telling the story of an author named Henry and his struggles to get his latest opus published. He has written a dual book and essay that seek to bring the Holocaust out of the stultifying realm of historical narrative and first-hand accounts into the realm of fiction. According to Henry, it is only in fiction that the memory can live forever and continue to grow, thus saving the Holocaust from the indignity of being forgotten. Since it is clear that this Henry in fact represents to some degree the experiences...
Martel identifies Henry’s temporary loss of an authorial voice with that of the extinct animal and those of Holocaust victims. Martel also appears to take umbrage at the idea that the Holocaust must always remain a static concept. According to Henry, first-hand accounts of past suffering cannot accomplish the same emotional and intellectual challenge that a piece of fiction can. Martel’s book is therefore a revolutionary move written in protest against the reluctance to portray the Holocaust outside of non-fiction. Yet a simple look at the corpus of contemporary Western literature shows...
...other hand, Shue does overact in her role as Sonny, and it just feels even more stilted and awkward. Hayden Church’s performance is more compelling. As a primarily comic actor—he played the sex-crazed bachelor Jack in “Sideways” and the laughable villain of “George of the Jungle”—he is good at balancing a sense of humor with the demands of playing a more serious, troubled character...
...Working”, on the other hand, is based entirely on the people performing labor. The agents of the work sing and dance and carry the plot; the people matter. Indeed, real people are the foundation for “Working.” Schwartz and Faso based the musical on “Working: People Talk About What They Do All Day and How They Feel About What They Do,” a book of interviews published in 1974 by Louis “Studs” Terkel. The compilation aimed to highlight how real-life workers found...
This breathtaking adventure movie is original in many ways. “The Secret of Kells” is 95 percent hand-drawn, a technique nearly abandoned since the Disney Golden Age, and it stands out as a visual gem. Moore uses vibrant colors to create an innovative animation which weaves together medieval Celtic art and unique, contemporary imagery. On a plot level, the stakes in the film are not so much about losing one’s life as losing sacred spiritual knowledge...