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Northeastern, on the other hand, scored both a power-play goal and a shorthanded goal in its 4-1 thumping of the Crimson...

Author: By Courtney D. Skinner, CRIMSON STAFF WRITER | Title: Special Teams Failures Prove Especially Critical, Dooming Harvard to Last Place | 2/9/2010 | See Source »

...would seem that the Crimson had a clear upper hand, but the squad only got one shot on net—a slapshot from the top of the right circle by sophomore Michael Biega—before the Huskies went on a clearing spree, sending the puck past the blue line three times to kill the first penalty...

Author: By Courtney D. Skinner, CRIMSON STAFF WRITER | Title: Special Teams Failures Prove Especially Critical, Dooming Harvard to Last Place | 2/9/2010 | See Source »

...contributes to the album’s effective new sound. Outside collaborators include Fimber Bravo, who plays steel pans on the title track, as well as drummers Charles Hayward of post-punk legends This Heat, and Leo Taylor of post-rock band The Invisible. The upbeat “Hand Me Down Your Love” is driven by a prominent piano line; however, it also includes a powerfully distorted refrain alongside its developed instrumentation and the pure simplicity of the vocals. This combination of disparate elements into a cohesive piece allows the track to fizzle with the uniquely appealing...

Author: By Jenya O. Godina, CRIMSON STAFF WRITER | Title: Hot Chip | 2/9/2010 | See Source »

...hand, Fehrenbach argues that asking subjects to respond to a work of art to analyze what’s happening in the brain can’t offer anything more than simple questions to an audience or to oneself. On the other hand, he stresses that this type of research-oriented approach is only a new substitute for formalism and places an undue emphasis on immediate response. Neurological or psychological studies could easily fall short in explaining such instantaneous reactions. If scientists observe that subjects have similar responses to a work of art, can they necessarily prove that similar mental...

Author: By Joshua J. Kearney, CRIMSON STAFF WRITER | Title: Painting Perception | 2/9/2010 | See Source »

Moya makes a subtle gesture when he succeeds the narrator’s first-hand account with a more distanced, third-person exposé of the media and police’s scramble to curb the “snake invasion.” As Sosa relays the details of his crimes, his calm demeanor permeates his victims’ screams; “The din outside was tremendous. The ladies were in a kind of orgy, biting everything in sight... In just a few seconds the street had been destroyed. There were dozens of bodies lying twisted...

Author: By Denise J. Xu, CRIMSON STAFF WRITER | Title: Moya Struggles to Charm in 'Snakes' | 2/9/2010 | See Source »

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