Word: handel
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Other noteworthy new records: four of Handel's works for Ancient Instruments and Soprano, with Valarie Lamoree and the Pro Musica Antiqua of New York (Esoteric); Haydn's Seasons, with the RIAS Symphony, choirs and soloists conducted by Ferenc Fricsay (Decca. 3 LPs); seven evocations Of Gods and Demons, sung by Bass-Baritone George London (Columbia); Scriabin's Poem of Ecstasy, played by the Paris Philharmonic Orchestra under Manuel Rosenthal (Capitol); Howard Swanson's Short Symphony, Franz Litschauer conducting the Vienna State Opera Orchestra (Vanguard); music by Rossini, Cambini and Bonporti, played by the Virtuosi...
...Dublin's shy, serious Composer Gerard Victory, 31, Ireland's harp has been silent too long. Ireland has a single professional symphony, a host of amateur choral societies which stick pretty closely to Handel's Messiah and Haydn's Creation, two opera societies which import stars for about seven weeks a year of old-fashioned grand opera, a green countryside full of amateur balladeers, and that is about all. Composer Victory decided to do something about it, last week unveiled in Dublin the world's first opera in Gaelic...
Other new releases: Nine Beethoven bympnomes (Victor), with Toscanini conducting the NBC Symphony (hand somely packaged at $52.40); Bach and Handel Arias (London), sung by Contralto Kathleen Ferrier with the London Philharmonic, conducted by Sir Adrian Boult; Ravel's Daphnis et Chloé-Complete Ballet (London), with the Orchestre de la Suisse Romande and the Geneva Motet Choir conducted by Ernest Ansermet...
While the Diamond music is occasionally exciting despite its lack of form, Handel's Fourth Concerto Grosso is a piece of soprific craftsmanship. Superficially similar to the Bach Bradenburg Council, it has none of their vitality and immediacy. The orchestra gave it a brisk, smooth run-through...
Featured pianist Judith Yeager '53 will be heard in her first solo performance with the orchestra. Soloists in the Handel composition are Sandor Shapiro '54, Paul Revitt '55, and Robert Swaney...