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Word: handel (lookup in dictionary) (lookup stats)
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Although the picture has several weak points which may be pointed out, the English have done a god job in portraying the life of "The Great Mr. Handel." Many of its faults are due to the economy of its production, an economy which has undoubtedly been imposed more on British studios than on Hollywood...

Author: NO WRITER ATTRIBUTED | Title: "The Great Mr. Handel" | 4/21/1944 | See Source »

Beginning with the depression in Handel's life--the period at the age of 37 when his fame and fortunes were at their lowest ebb--the film climaxes in the composer's intensive work on his masterpiece, the "Messiah," which was completed in less than a week, and returned him to the good graces of his adopted compatriots when it was produced in Dublin...

Author: NO WRITER ATTRIBUTED | Title: "The Great Mr. Handel" | 4/21/1944 | See Source »

...technicolor is excellent in spots, but the plot of "The Great Mr. Handel" is disjointed, however historically accurate. Economy of production shows up in such scenes as that in Foxhall, where the camera stresses the characters and no sense of the surroundings is given. The arias of the "Messiah" which are presented are mostly the female ones, and well done, but the lack of a good male voice necessitated the omission of several of the best parts...

Author: NO WRITER ATTRIBUTED | Title: "The Great Mr. Handel" | 4/21/1944 | See Source »

...English producers missed out on something, too, when they presented Handel's prima donna, the notorious Mrs. Cibber (who was actually sold by her husband to another man), as a pious woman. The picture is saved by the excellent performance of the London Philharmonic Orchestra, and the casting of Elizabeth Allan in a part which might have been spoiled by an opera singer...

Author: NO WRITER ATTRIBUTED | Title: "The Great Mr. Handel" | 4/21/1944 | See Source »

...Conductor Fabien Sevitzky and the Indianapolis Symphony Orchestra, was well received by Indiana-politans. Said intense Russian Sevitzky (nephew of Boston's Serge Koussevitsky): "Barrymore has as much talent musically as he has dramatically." The actor started composing at 18, modeled his work after his idols Bach and Handel, in 1942 orchestrated McDowell's Sea Pieces (originally for piano). Said Barrymore of Sevitzky: "We don't know each other and yet are good friends. He sees me one day on the screen and I listen the next to his recordings and we understand each other...

Author: /time Magazine | Title: People: Fathers | 3/20/1944 | See Source »

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