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...program includes works by Mozart, Handel, Randall Thompson, and Walter Piston, but the feature of the concert is a group of works written by Giovanni Gabrieli for the Church of St. Mark in Venice...

Author: By L. C. Hoivik, | Title: The Music Box | 2/27/1940 | See Source »

Malcolin H. Holmes '28, director of the Pierian Sodality of 1808 and conductor of the Radcliffe and Wellesley orchestras, will direct the Lowell House Musical Society in its annual opera, which this year will be "Acis and Galatea" by Handel, John J. Brainard '40, president of the society, announced yesterday...

Author: NO WRITER ATTRIBUTED | Title: HOLMES WILL CONDUCT ANNUAL BELLBOY OPERA | 2/15/1940 | See Source »

...Longy School open house concert tonight is made up of four small chamber works--Violin and Viola Duos by Mozart; Konzert in G dur by Heinichen for oboe, two violins, violoncello, and harpsichord; a Handel sonata for oboe and harpsichord, and a Harpsichord Solo by Bach. Concerts like this typify the contemporary tendency to play harpsichord music on the harpsichord rather than on the more common piano. This tendency is an interesting result of the musicological development which has led to the revival in modern times of so much old music and several old instruments...

Author: By L. C. Holvik, | Title: The Music Box | 2/13/1940 | See Source »

...first group contains works by Bach, Mozart, and Handel. The Mozart song, an aria from La Clemeza de Tito, will be done with a clarinet obligato. The middle groups consists of the Schumann song-cycle. Frauenlibe und Leben. A group of modern French songs will complete the program...

Author: By L. C. Holvik, | Title: THE MUSIC BOX | 1/31/1940 | See Source »

...swankest of the arts in 18th-Century London was Italian opera. Periwigged courtiers, who could not understand a word of it, raised their lace cuffs to applaud the ornate trilling of swivel-voiced prima donnas. Fashionable composers like Handel had to write their librettos in Italian. The Caruso of the period was the Italian eunuch-Francesco Bernardi Senesino, whose misfortunate voice earned fabulous sums at London's Royal Academy of Music. Lustier London wits like Henry Fielding began poking fun at this artificial art, inveighed against London's "wanton, affected fondness for foreign musick," with its "squeaking recitatives...

Author: /time Magazine | Title: Music: Beggar's Opera | 12/25/1939 | See Source »

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