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Brahms: Variations and Fugue on a Theme by Handel; Three Intermezzi, Op. 117; Three Intermezzi, Op. 119; Rhapsody, Op. 119 No. 4 (Pianist Van Cliburn, RCA). The Handel Variations are often thought of as a piece that only a pianist, or piano buff, could love. In one of his most appealing albums in years, Van Cliburn puts the lie to that. Leaping from one craggy Brahmsian peak to another as effortlessly as though playing Debussy's Clair de lune, Cliburn gives the work a warm romantic allure yet never loses hold of its classic-baroque underpinnings. What ingenuity...

Author: /time Magazine | Title: Music: Classic and Choice | 9/19/1977 | See Source »

Drew Weinstein, Ron Handel and Sarah Rabkin--Strange Brew...

Author: NO WRITER ATTRIBUTED | Title: The Weekly What Listings Calendar: May 12 - May 18 | 5/12/1977 | See Source »

...radio, records and in concerts for 40 years; after an operation for bleeding ulcers; in Boston. Born in England and first trained as an electrical engineer, Biggs "instinctively" moved to the U.S. in 1929. He disapproved of florid romanticism and played modern U.S. composers as well as Bach, Handel and Mozart in his reserved baroque style. An expert on the classic organs built centuries ago, he traveled throughout Europe to find instruments on which to play the music originally written for them...

Author: /time Magazine | Title: Milestones, Mar. 21, 1977 | 3/21/1977 | See Source »

...Handel and Haydn Society of Boston--Thomas Dunn conducts the Society's orchestra and chorus in Bruckner's Mass in E Minor for chorus and winds. Also included are Haydn's "Gioco Filharmonico," in which the audience constructs a minuet by rolling dice, and Pres du Ball, a work for chamber ensemble and female dancer by Henri Sauget. Tickets are $8.50, $6.00, $3.00. Info 536-2412. 25 Huntington Ave., Boston...

Author: By Richard Kreindler, | Title: CLASSICAL | 2/9/1977 | See Source »

...Handel, Messiah: Soprano Elly Ameling, Contralto Anna Reynolds, Tenor Philip Langridge, Bass Gwynne Howell; Academy and Chorus of St. Martin-in-the-Fields, Neville Marriner conducting (3 LPs, Argo). This is a masterly lesson in the art of making a familiar classic sound fresh and spontaneous. Marriner's authentically baroque phrasings, rhythms and instrumentations have much to do with that. So does his seemingly effortless ability simply to make music sing...

Author: /time Magazine | Title: Music: Classic and Choice for Christmas | 12/20/1976 | See Source »

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