Word: handeled
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...first night of the Germans' weekend visit, the Verdunois turned out appreciatively for a concert of Bach, Handel and Mozart, played by young German musicians in the 12th century cathedral that was shredded by German Big Berthas in 1916. Many of the visitors were invited to meals in French homes; even when they had to speak in sign language, the lesson was plain. The price of Verdun, as a German high school student put it, was not eternal hatred but eternal awareness that "we can help prevent the repetition of these terrible happenings...
...Festival, but New Yorkers have seldom been offered music of such sustained seriousness even in the dead of winter. The programs ranged from La Clemenza di Tito (The Mercy of Titus), a rarely performed opera composed in the last year of Mozart's life, to concerti grossi by Handel, Vivaldi and Samuel Barber, to Bach's B Minor Mass and Stravinsky's Symphony of Psalms. Skep tics said tickets would go begging. In stead, knowledgeable audiences have kept Philharmonic Hall practically full. The programs' appeal, says Festival Administrator Jay Hoffman, is to the "ba-roquenik...
...Handel: Four Favorite Organ Concertos (E. Power Biggs; Columbia) features another great virtuoso and a great instrument (designed by Handel, it is now in St. James's Church, Packington, England). The best of the four concertos is the grand and glorious No. 16 in F Major, which Biggs plays with immense symphonic richness and excitement...
...trombone and guitar. He swoops through the Alban hills in his Maserati, sunning himself in "the Italian humanity" and perfecting his Roman dialect. "I live in a tradition of German artists who have lived in Italy," he says. "Mozart, Goethe and Wagner all went to Italy, and when Handel stayed in Naples, he had 20 valets. I think that's wonderfully extraordinary...
This oratorio is a troublesome one. Handel wanted to write an epic. But he wished to convey more monolithic artistic ideas than a narrative could portray, and so dispensed with distinct characters and made the story of the crossing of the Red Sea only the first half of the work. What then resulted is what one scholarly critic called "an overblown anthem"--a series of resounding proclamation of the Lord's might, many of them superb in their declamatory power--yet the whole work lacks drama...