Word: handels
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Dates: during 1920-1929
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...program for the first concert is as follows: Harvard Hymn Paine Miserere Allegri Chorus of Bacchanties Gouned Coronation Scene, from Boris Godonov Moussorgsky Gute Nacht German Folk Song Reaper's Song Bohemian Folk Song Then round about the starry throne, from Sampson Handel...
...highly impressive and satisfactory rendering of "Mother of Moscow" by Tchesnokov, a Gretry number from "Les Deux Avares," and a chorale from Handel's "Samson" brought the concert to a close...
...Saltarelle Saint-Sains Harvard Glee Club Grand Aria Adi Bravusa Onorba leggiera Meyerbier Folk Songs O! du Liebe Angeli, Swiss Concon, Canari Jalloux, Neuchatel LAuterbach, German Nightingale, Russian Miss Hempel Mother Moscow Tschesnokor La Garde Passe, from "Les Deux Avares" Gretry Let Their Celestial Concerts All Unite, from "Samson" Handel Harvard Glee Club
...concerts in London, Madrid, Barcelona and Warsaw, who has crossed the seas to convey to prosaic America some of his own insight into the arts in the universal language of music." Conductor Koussevitzky speaks little English, could think of no fitting reply, instead lifted his bass violin, played eloquently Handel's Largo, the Andante from his own concerts, made his U. S. debut as a soloist...
...opera audience there was well pleased with "Rosalinde". Its chorused applause swelled to a persistent curtain call. "We want Handel! We want Handel!" The New York Times continues. "At first those versed in musical history took the yell as a joke but a glance at the enthusiastic faces of the claquers was convincing evidence that the composer was actually regarded as a contemporary musician...