Word: handels
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Dates: during 1980-1989
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What sets Morris apart from most of his contemporaries is his extraordinary musicality. He seems open to a huge variety of styles--raga, rock, Poulenc, with perhaps a special affinity for such musical architects of the baroque as Vivaldi and Handel. Morris can find the dance in the music. Like Balanchine, he can hear a piece whole and render a fresh visualization of it instead of transcribing it as a pattern or making it serve as an organizing element for arbitrary action. In Jealousy, a solo set to Handel, he fills out the score with large, writhing moves and smaller...
...Haydn's hidin' but Bach is back. Roll over, Beethoven and mosey on, Mozart, (though Handel can handle it) cause Crye is the rage--(Giuseppe Verdi is just Joe Green...
...Handel's Messiah: Tinity Church Choir and Orchestra, Trinity Church, Copley Square...
...Handel's Messiah: Banchetto Musicale orchestra and chorus, Jordan Hall, New England Conservatory...
...Handel's Messiah: Banchetto Musicale orchestra and chorus, Jordan Hall, New England Conservatory, Friday...