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What sets Morris apart from most of his contemporaries is his extraordinary musicality. He seems open to a huge variety of styles--raga, rock, Poulenc, with perhaps a special affinity for such musical architects of the baroque as Vivaldi and Handel. Morris can find the dance in the music. Like Balanchine, he can hear a piece whole and render a fresh visualization of it instead of transcribing it as a pattern or making it serve as an organizing element for arbitrary action. In Jealousy, a solo set to Handel, he fills out the score with large, writhing moves and smaller...

Author: /time Magazine | Title: Dance: Seattle's Young Spellbinder | 3/31/1986 | See Source »

...Haydn's hidin' but Bach is back. Roll over, Beethoven and mosey on, Mozart, (though Handel can handle it) cause Crye is the rage--(Giuseppe Verdi is just Joe Green...

Author: By Andrea Shen, | Title: The Metaphysical Writing on the Wall (and Desks) | 12/17/1985 | See Source »

...Handel's Messiah: Tinity Church Choir and Orchestra, Trinity Church, Copley Square...

Author: NO WRITER ATTRIBUTED | Title: December 12-18 | 12/12/1985 | See Source »

...Handel's Messiah: Banchetto Musicale orchestra and chorus, Jordan Hall, New England Conservatory...

Author: NO WRITER ATTRIBUTED | Title: December 12-18 | 12/12/1985 | See Source »

...Handel's Messiah: Banchetto Musicale orchestra and chorus, Jordan Hall, New England Conservatory, Friday...

Author: NO WRITER ATTRIBUTED | Title: December 12-18 | 12/12/1985 | See Source »

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