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Word: handels (lookup in dictionary) (lookup stats)
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...James Dickey warned at California's San Fernando Valley State College that, on the edge of the "anonymous modern abyss, you must develop your private brinksmanship, your strategies, your ruses, your delightful and desperate games of inner survival, whether they take the form of Batman comics or whistling Handel's Water Music, enabling you to live perpetually at the edge but very much on your own ground." It was Yale's President Kingman Brewster who perhaps best expressed the mood of the commencement speakers. After warning against "the self-pity now popularly dubbed alienation," he praised...

Author: /time Magazine | Title: Essay: COMMENCEMENT 1965: The Generational Conflict | 6/18/1965 | See Source »

...Culture Crusade. Cindy & Co. agreed that the best way to get the show on the road was not to wage a "brick-and-mortar fund drive" but "to do something great with people." For its first effort, the foundation daringly chose to present the U.S. premiere of Handel's 241-year-old opera, Julius Caesar, a convoluted tale of love and intrigue in old Egypt, embellished with a floridly beautiful score...

Author: /time Magazine | Title: Opera: C.C.C. in K.C. | 6/4/1965 | See Source »

...arias." In transporting Julius Caesar into the 20th century, Conductor Nicola Rescigno, who was imported from the Dallas Civic Opera with Producer Lawrence Kelly, compressed the unwieldy 51-hour libretto into three hours and, to allow for the inclusion of ballet sequences, added several numbers judiciously borrowed from other Handel operas...

Author: /time Magazine | Title: Opera: C.C.C. in K.C. | 6/4/1965 | See Source »

...ringing the grand tier and an Egyptian-style proscenium jutting out to the apron of the stage. Leading a competent cast of 200, Metropolitan Opera Bass-Baritone Giorgio Tozzi and Brooklyn-born Soprano Evelyn Lear, making her U.S. opera debut after an admirable, eight-year career in Europe, managed Handel's long, difficult, rapid-fire arias with fine finesse...

Author: /time Magazine | Title: Opera: C.C.C. in K.C. | 6/4/1965 | See Source »

...understanding of the voice is uncanny, and he learned it, as I am sure he would be the first to admit, at the knee of that greatest of English choral composers, Handel. Somehow, Thompson manages to achieve his end with tessituras that are comfortable and settings that not only express the text, but project it to the audience. I don't quite know how he does it, and neither do his imitators: no matter how much their progressions sound like his, Thompson's understanding of the voice cannot be matched. The Glee Club is often foiled...

Author: By Jsaiah Jackson, | Title: Randall Thompson | 4/27/1965 | See Source »

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