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Word: handfuls (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

This controversy is only important because it led to a deeper discussion about the meaning of this committee. Some said that the Friendly Committee had meant for the Committee to be a kind of Constitutional Convention and thus had wanted an arrangement for proportional representation. On the other hand, Pusey had disagreed with the emphasis placed on this Committee and had tried to undercut it by climinating its one man/one vote nature...

Author: By Ronald H. Janis, | Title: Can't Tell the Players Without a Program | 10/4/1969 | See Source »

...delights. Even if you never do another stitch of work for us, you will always be a Crimson editor. It is hoped that you will work for us after election, but there are no chains. And if you get elected on one board, you're free to try our hand at something else. Our current president started out selling...

Author: NO WRITER ATTRIBUTED | Title: Putting the Crimson to Bed | 10/4/1969 | See Source »

...editorials (notice we didn't say they agreed with them), and they do have an impact on the real world. You have a good chance of persuading a majority to support you but all is not lost if you don't. You can always write an "On the Other Hand" editorial stating your own position, no matter how deviant (misereant...

Author: NO WRITER ATTRIBUTED | Title: Putting the Crimson to Bed | 10/4/1969 | See Source »

...editorials (notice we didn't say they agreed with them), and they do have an impact on the real world. You have a good chance of persuading a majority to support you but all is not lost if you don't. You can always write an "On the Other Hand" editorial stating you own position. no matter how deviant (miscreant...

Author: NO WRITER ATTRIBUTED | Title: Putting the Crimson to Bed | 10/3/1969 | See Source »

...more successful. Probably the best of these later films is Valentin de las Sierras, made in Mexico. Rather than unify the film through a central protagonist's experience, Baillie portrays the world as a child sees it, conveying a clear sense of wonder through close-ups and impressionistic hand-held camera work. Shots with specific meanings reoccur in a variety of contexts, and characteristic Baillie imagery-a dark horse, an unlit entryway-rearranges itself according to a child-like vision...

Author: By Joel Haycock, | Title: The Moviegoer Films of Bruce Baillie Second in a two-part retrospective at the Harvard-Epworth Church, 7 p.m. | 10/3/1969 | See Source »

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