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...Child (OLPC), who believes it lies in a tiny green and white computer. Nicholas P. Negroponte, who spoke to a captive audience in the Science Center last night, explained his idea: using technology to revolutionize education in the developing world. The basic laptop, characterized by its bright yellow hand crank and once described as “enchanting” by Nigerian President Olusegun Obasanjo, was developed by OLPC and is being distributed to school-age children in the world’s 50 poorest countries. The OLPC laptop, which is marketed to international buyers as a $100 item, actually...

Author: By Niha S Jain, CONTRIBUTING WRITER | Title: Cheap Laptops, Rich Experience | 11/21/2008 | See Source »

...expect this sort of characterization would be offered only as a last resort—and on the basis of the firmest possible evidence. We have argued that in the present instance, the evidence is anything but firm. Hence our discomfort.” Professor Pinker, on the other hand, sees some merit in Everett’s work “and believe[s] that linguists should take his criticisms of the field seriously,” but he also fundamentally disagrees with Everett’s conclusions. Everett addresses these dissenting opinions throughout “Don?...

Author: By Joshua J. Kearney, CRIMSON STAFF WRITER | Title: 'Don't Sleep,' There is Much (Linguistic) Debate | 11/21/2008 | See Source »

...founder, John Hammond, shares ice cream with paleobotanist Ellie Satler. In the play’s version of the scene, Satler (Rose Chase)—who has fluctuated from timid to nymphomaniacal to bloodthirsty—devoured a tub of ice cream with her bare hands. Hammond (Ed Schrader), a frequent fourth-wall breaker who had just finished an extended Bob Hope routine, came up from behind and tried to snuggle with her as he talked. “I just want to make sure you can hear me,” he explained. In the movie, the scene...

Author: By Joseph P. Shivers, CRIMSON STAFF WRITER | Title: 'Jurassic' Parody a Low-Budget Laugh | 11/21/2008 | See Source »

...much younger Trisha Brown hovers above a white, horizontal canvas. Her hands are covered with blue gloves and paint, and her feet are smeared with charcoal; her whole body is employed in drawing as she moves on all fours. The Remis Auditorium at the Museum of Fine Arts falls silent as the contemporary dancer stops talking about her choreography for the opera “Carmen” and turns towards the image of herself defying countless classical definitions of visual art and dance. “I nabbed the gloves from intensive care at Fort Myers hospital...

Author: By Ama R. Francis, CRIMSON STAFF WRITER | Title: LINEAR PERSPECTIVE: Trisha Brown | 11/21/2008 | See Source »

...powerful thought to consider this Thanksgiving, perhaps with a copy of “Dominion” in hand...

Author: By Lewis E. Bollard | Title: Maverick for Mercy | 11/21/2008 | See Source »

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