Word: handhelds
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...first Godfather. One can find Desperate Housewives and 24. At about one toman each (approximately $1), the DVDs are affordable as an occasional indulgence for most residents of the capital (even if a copy of Reservoir Dogs turns out to be Hancock or The Blind Side recorded by a handheld camera in a movie theater). Those residents, however, are willing to shell out the hefty sum of 30 to 50 toman for the hottest bootleg in Iran: Lost...
...past, Miller has relied on handheld camera work to create a sense of intimacy. Here her cinematographer, Declan Quinn, spares us the shaking, but frequently slides the camera between adjacent sets. We travel from the bed one tousled blond woman (Suky) collapsed in a bed to another (Pippa), waking in another town and another decade. It's a neat trick to suggest life as a continuum - Pippa is ruled by guilt and a need to emulate her mother's happy "commercial" existence, aiming for perfection but without the pill popping - but it also represents what's going on in Pippa...
...acceptance. Like Montgomery and Stone, we see these individuals only at their weakest moment, left with a single, striking image. There are no build-ups or resolutions, and, as such, the film rarely slips into facile sentimentalism. Instead, the audience sees only an immediate reaction, captured by a trembling handheld camera as opposed to traditional close-up techniques. Warned against giving hugs and other gesture of comfort, the men can do nothing but stand and watch in stoic rigidity...
...essentially a horror film’s buildup toward dramatic tension, and it’s done effectively: eerily lit time-lapse nature footage punctuated by waves of white noise and color-saturated, slow-motion shots create a nightmarish atmosphere for the carnage to unfold in. The alternation between handheld and dollied camera is seamless, and Von Trier even experiments with lenses in the former case, making for an especially distorted register in some of the film’s most intense moments. But finding the natural extreme of a career that counts a visually stirring and intellectually stunted film...
...their art from the genres that superseded them. The Office borrows its mockumentary format and the device of interviewing characters in "confessionals" from reality TV. This is a perfect fit for a show that's about the mundane routine of work life, but the filming technique - in which the handheld camera reacts almost like another character - also lends itself to sitcom wackiness. The opening of its post-Super Bowl episode (a fire drill goes wrong, leading to chaos that includes a cat being thrown through a ceiling panel) was probably the funniest scene on TV this year. (See pictures...