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...Murdoch's three-year-old national Star (circ. 1.3 million) is a gaudy but not particularly profitable cousin of the mindless National Enquirer, and his San Antonio Express and News (combined circ. 156,000) is even worse (sample scoops: UNCLE TORTURES TOTS WITH HOT FORK, HANDLESS BODY FOUND, GIRLS STREAK AT GUNPOINT). Yet Murdoch also publishes Australia's only national daily, The Australian, which at least aspires to quality, and he is currently bidding to buy the respected London Observer...

Author: /time Magazine | Title: The Press: Goodbye Dolly, Hello Rupert | 11/29/1976 | See Source »

...wire netting swathed in plaster, lined up against a wall painted to look like a strikingly blue Greek sky. The figures are bound to the wall by strands of concentration-camp barbed wire. Another piece consists of a plaster "torso" wearing a bloodstained gray jacket, its arms flung out handless in the posture of a crucifix. Two or three blood-red cloth carnations sprout from the jacket's inside pockets. Still another assemblage presents a shoe embedded in a plaster block. Where the toe dared to protrude from the block, it is chopped off in procrustean fashion; a carnation...

Author: /time Magazine | Title: Sculpture: Hope in Plaster | 6/6/1969 | See Source »

...known (in an echo of the French Revolution?) as M'sieur Pierre. The prison itself is timeless, universal, born of an idea turned into phantasm. Its antic rules ("the management shall in no case be responsible for the loss of property or for the inmate himself"), the handless clock on which a watchman hourly paints in the hands, and, above all, the jailers' constant and somehow insane concern for the prisoner's welfare-all add up to a caricature of prisons everywhere. The fussy, pedantic, sentimental jailers are so many congealed crocodile tears; what a naughty...

Author: /time Magazine | Title: Books: The Dream of Cincinnatus C. | 10/26/1959 | See Source »

...virility possessed by few contemporary sculptors, but, except for his earliest sculpture, there is very little conventional beauty in anything Lipchitz has done. Prometheus Strangling the Vulture II is typically powerful, but it is also unnecessarily cluttered. Mother and Child II shows a baby-burdened mother with stubby, handless arms outstretched in supplication for peace; there is a belly-blow force in the conception of the statue, but the emotion it produces is something like that evoked by the sight of open sores on a crippled, shuffling beggar: pity mixed with revulsion. Song of the Vowels is a more straightforward...

Author: /time Magazine | Title: Frontier Reporter: Frequent Phoenix | 6/7/1954 | See Source »

...important ones. The picture itself was Oscared as the best of the year. Sam was Oscared for the year's best contribution to the industry. William Wyler was Oscared for directing Best Years. Fredric March was named the year's best actor for his role in it. Handless Veteran Harold Russell was chosen the best supporting actor, and got another Oscar just on general principles. (Best supporting actress: Anne Baxter in The Razor's Edge...

Author: /time Magazine | Title: Cinema: The Oscars | 3/24/1947 | See Source »

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