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...bluest blade of them all is Lee Prince, who is merely rich, charming as a puppy, the handsomest man in the Ivy League, a handy athlete, hard drinker, scholar, and an author with a collection of short stories to his credit before he attains his majority. When he takes his girl friend to Bermuda (this at 17 or so), he does not buy the island, but, next best, he rents a taxi for the entire stay and wins a samba tournament. ''They were something!'' an onlooker reports breathlessly. "She always wore blue, and Lee always wore...

Author: /time Magazine | Title: Books: This Side of Parody | 8/3/1959 | See Source »

...conditions or burn the score. I will prepare the fire, and I will personally put Falstaff and his stomach on the flames." So wrote fiery-tempered, 79-year-old Composer Giuseppe Verdi in a letter to his publisher in 1892. But Verdi, who had already received one of the handsomest premiums ever offered a composer, was persuaded not to burn Falstaff. Along with the originals of Verdi's 26 other operas, it was long stored in Milan in a plain brownstone office building at No. 2 Via Berchet, not far from La Scala. The opera house is more famous...

Author: /time Magazine | Title: Music: House That Giovanni Built | 3/9/1959 | See Source »

...best-selling client of long ago, the amorous, glamorous 19th century poet George Gordon, Lord Byron. Inside a musty tin box were dozens of tiny parchment packages, each inscribed with the name and date of a comely comrade, each containing a specimen of the lady's locks. Handsomest of the hairlooms was a lustrous, 2½ ft. pony tail, still scented with the aroma of pomade, which had been snipped from a Spanish sefiorita. But by far the most intriguing was one packet holding a single fair ringlet, with the bemused memo in Byron's faded scrawl: "Whose...

Author: /time Magazine | Title: People, Feb. 2, 1959 | 2/2/1959 | See Source »

...dress and car manufacturers in business, it remains a myth. This basic truth was thoroughly documented in last week's retrospective show of designed products at Manhattan's Museum of Modern Art. Among the many chairs, for example, in the Modern Museum's show, perhaps the handsomest was an Austrian rocker, designer anonymous, manufactured back in 1860. And yet that ancient rocker, tendriled like a vine from the wine-heavy hills around Vienna, had a brisk, bald-bottomed rival in Charles Eames's up-to-the-minute en try in molded Fiberglas and wire...

Author: /time Magazine | Title: Art: Designing Man | 1/12/1959 | See Source »

Other standouts range from ARP (Museum of Modern Art; $4.50) to VERMEER (Phaidon; $10). Oriental art gets a lion's share of publishers' attention, with 2000 YEARS OF JAPANESE ART (Abrams; $25) and CHINESE PAINTING (Universe; $10) among the handsomest efforts. Pelican Books offers a monumental study, ART AND ARCHITECTURE IN ITALY: 1600-1750, for $12.50. Collins has a NEW TESTAMENT (de luxe, $50) exquisitely illustrated with tipped-in reproductions from medieval manuscripts, and Praeger a compendium of ARTISTS' TECHNIQUES ($12.50). New York Graphic provides a large Henry Moore sketchbook of HEADS, FIGURES AND IDEAS...

Author: /time Magazine | Title: Art: Museums Between Covers | 12/8/1958 | See Source »

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