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...Adams Art Space is a den for Lamb’s art. His distinctive hand-made lamps, constructed of light wooden frames and varying kinds of fine colored paper, hang from the ceiling, and his supplies cover every table surface. On Fridays, Lamb usually starts the evening by himself, absorbed in his own projects. People drift in over the course of an hour and half to work on their own pieces. Closing time has a tendency to determine itself; on some nights, Lamb packs up alone and on others, the group is working until...

Author: By L.x. Huang, | Title: And The Mood Is Right | 5/1/2003 | See Source »

Noting that 80 to 90 percent of cases of sexual assault “hang on the misuse of alcohol,” Professor of the History of Science Everett I. Mendelsohn said that identifying and eliminating conditions that can lead to sexual violence is crucial...

Author: By Rebecca D. O’brien, CRIMSON STAFF WRITER | Title: Faculty Council Discusses Sex Assault Policy | 5/1/2003 | See Source »

...theater space, as a space for installations, as a soundstage. I once saw a production in Budapest a few years ago of A Midsummer Night’s Dream in which the audience was seated on 500 individually hung swings, and the hemp that was used to hang the swings became the farce of Shakespeare’s play, and that was on night one; and all those swings were bussed up to the grid. The next night, there was a very realistic play, it took place in an operating room; the following day, it was used by a modern...

Author: By J. hale Russell, CRIMSON STAFF WRITER | Title: The House is Full | 4/30/2003 | See Source »

...People entering galleries make the conscious decision to view and interact with what is on the walls,” she says. “It’s an art safe zone, where the artist can hang what he likes with no concerns that the public will be shocked because they didn’t expect...

Author: By Kimberly A. Kicenuik, CRIMSON STAFF WRITER | Title: Whither the Gallery? | 4/30/2003 | See Source »

...verdant colors of the postmonsoon tropics. A veteran village hangman, who lives on the fringes of society and is haunted by the memory of an innocent's execution, is called into duty one last time. He is a killer, no doubt, but the consecrated rope he uses to hang his victims also has the power to cure sickness. Is he an agent of karma? A mere government functionary? Or a willful sinner whose well-paid job trades in the blood of the blameless? The film is vintage Adoor, a picture-perfect set piece that entertains eternal questions of human responsibility...

Author: /time Magazine | Title: Knee Deep in the New Wave | 4/28/2003 | See Source »

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