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...cheating their team, now they run the instant replay and they say, "By gosh, he's right." You can't beat the old human eye. If the Government was right that many times, the country would be in a lot better shape. Schachter I have no hangup about getting help on a call. But I wouldn't like to see an official say, "Hey, that was a tough call; let me see the instant replay." Schachter on the disputed calls I saw one of them while I was in the hospital. I told the nurse that...

Author: /time Magazine | Title: Sport: Now for the Zebras... | 1/16/1978 | See Source »

...When I came here, I understood that I would never be president of Harvard. That's not a hangup with me. I knew that when I came. If Harvard gets to the point where a businessman becomes president, then...

Author: By James Cramer, James Gleick, and Nicholas Lemann, S | Title: A Hall Sampler | 2/3/1976 | See Source »

...When I came here," Hall said, "I understood that I would never be president of Harvard. That's not a hangup with me. I knew that when I came. If Harvard gets to the point where a businessman becomes the president, then...

Author: By James Cramer, | Title: Hall Is Likely to Leave After Spring Term Ends | 2/2/1976 | See Source »

Indeed, some of her best pieces hardly become "art" at all. Hangup, 1965-66, is a rectangular frame, "tied up," as Hesse put it, "like a hospital bandage." A long loop of metal emerges from one corner, traces a wambling arc in the air, flops on the floor and creeps back into the opposite corner. It is articulately made but looks stumbling and impoverished, like a Beckett tramp. It still seems daring, but was vastly more so six years ago, when Minimalism still imposed its demands of geometry, scalelessness and high industrial polish on most new American sculpture...

Author: /time Magazine | Title: Art: Vulnerable Ugliness | 1/1/1973 | See Source »

Hesse called Hangup "the most ridiculous structure I ever made, and that is why it is really good. It has a kind of depth of soul of absurdity." The form of her later pieces-ragged sheets of latex, irregular fiber-glass cylinders strewn at random on the floor, tangled webs of rubbery cord hanging from the ceiling like a three-dimensional version of Pollock drips-is partly an effort to give sculpture the fluidity of abstract-expressionist painting and partly a direct celebration of incongruity. Decoration, she believed, was "the only art sin." It was not a peccadillo she ever...

Author: /time Magazine | Title: Art: Vulnerable Ugliness | 1/1/1973 | See Source »

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