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...SAMMY and Rosie Get Laid is not a pornographic film. It is, as the title suggests, a provocative film. It is also another triumph from Hanif Kureishi and Stephen Frears, the team that made My Beautiful Laundrette...

Author: By Gary L. Susman, | Title: Return of the Naive | 11/13/1987 | See Source »

...ambitious new films, both telling tales of the end of empire, are as different as their titles: Cry Freedom and Sammy & Rosie Get Laid. The first is Director Richard Attenborough's stately, schizophrenic epic of South Africa a decade ago as blacks groped toward liberation. Sammy & Rosie is Screenwriter Hanif Kureishi's double vision of London as the hip place to be and the last place on postimperial earth. For 2 hr. 35 min., Cry Freedom meanders through a meadow of noble sentiments, finding its only drama in the education of a white liberal South African and his escape from...

Author: /time Magazine | Title: Cinema: The Empire Strikes Out | 11/9/1987 | See Source »

Revolt in South Africa: Richard Attenborough' s Cry Freedom. -- Anarchy in South London: Hanif Kureishi' s Sammy & Rosie Get Laid...

Author: /time Magazine | Title: Time Magazine Contents Page November 9, 1987 | 11/9/1987 | See Source »

...Beautiful Laundrette, his film debut, playwright Hanif Kureishi uses a sharp ironic scalpel to cut through the bleakness of the nasty South London setting. He gives us humour and a solid plot along with a sturdy and valuable lesson. A quick and scantily budgeted effort, Laudrette grapples with several major conflicts: between immigrants and natives, different generations and sexes, and even pairs of brothers...

Author: By Abigail M. Mcganney, | Title: Good Clean Fun | 4/4/1986 | See Source »

...kind of movie: fast, bold, harsh and primitive, like a prodigious student film with equal parts promise and threat. My Beautiful Laundrette has no echo of eulogy in its street wit, no time for nuances of character in its rush to spray-paint a teeming social fresco. Hanif Kureishi, 29, the film's author, says he originally planned a three- or four- hour work with a Godfather sprawl, but settled for 93 minutes and (pounds) 600,000 from Britain's Channel 4. The pinch shows, and so does the pluck. Kureishi's story shifts moods, and Omar changes motivations (Candide...

Author: /time Magazine | Title: Cinema: Rue Britannia My Beautiful Laundrette | 3/17/1986 | See Source »

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