Word: hankchampion
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Dates: during 1975-1975
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...marble quarries of Serravezza are Henry Moore's. The Manhattan docks have furnished both the material and the imagery for his work: the gray, salt-pickled balks of timber; their ponderous iron bolts, cleats and straps; the explicit logic of big practical structure. Pieces like Hankchampion (1960) are inseparable from that context. Its salvaged wooden beams, bolted together and strung with chain, are a homage to the plain speech of early industrial architecture. There is also a strong connection to abstract-expressionist painting. As James Monte points out in his catalogue essay, these weathered timbers were "a near-perfect...
...Today Hankchampion looks less aggressive than it did 15 years ago. It still transmits an enormous sense of energy; what counts is the vigor of the form, the expansive thrust of its members driving into space. But this syntax of angles, which makes his best sculptures change so compellingly and unpredictably when one walks around them, had to wait. It would be five years before Di Suvero could work regularly on this scale again. In March 1960 he was nearly killed in an elevator accident. His back and left leg were broken, and the doctors said that he would never...
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