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Jimmy Stewart and Hank Fonda are as comfortable together in screen saddles as they have been in a friendship that goes back to 1932 and summer stock. Now the old cronies have teamed up again in The Cheyenne Social Club, a wonderfully outdated odyssey of bawdy innocence. True, the film is populated with more pasteboard characters than you could empty a pair of Colt Peacemakers at. There is not just one whore with a heart of gold, but six. There is the starched, parched lawyer feller and the inevitable gang of scabrous villains without a redeeming virtue to their sinister...

Author: /time Magazine | Title: Show Business: Innocent Revisited | 6/29/1970 | See Source »

...known to rival players as a "hot dog"-locker-room lingo for showoff. Ever smiling, Carty always catches the ball one-handed, waves to the fans, and tosses balls to them. He wants to be known as a "hoppy guy," not as the hotheaded player who once slugged Teammate Hank Aaron...

Author: /time Magazine | Title: Sport: The Beeg Hoppy Fella | 6/29/1970 | See Source »

...wife was hired to flack for Martha Mitchell, has a new job as editor-publisher of the Colorado Springs Sun. Wife Kay will join him as women's editor, leaving Martha in the lurch. That will hardly bother the Woes-tendieks' new boss, Vegas-based Publisher Hank Greenspun. After Mrs. Mitchell's famous call asking the Arkansas Gazette to "crucify" Senator Fulbright for his Carswell vote, Greenspun wrote an editorial suggesting that she made the call after "toasting the ill health of every Communist-liberal Senator who voted against Carswell...

Author: /time Magazine | Title: People: Jun. 15, 1970 | 6/15/1970 | See Source »

...Hank Keohane intercepted, and moments later Chet Boulris scored what was proved to be the winning touchdown. It was Yovicsin's first big victory, and one of three Harvard games he remembers most fondly...

Author: By Bennett H. Beach, | Title: The Yovicsin Years: Good, Better, Worst | 6/11/1970 | See Source »

Verkade has a gift for freezing an action at its most expressive moment. Connoisseurs with the special expertise of Hank Greenberg's son Glenn praise the split-second accuracy of his baseball players. "The guy," says one admirer, "has a stroboscopic eye." But Verkade goes far beyond mere reportage. He has an instinct for attitude and gesture that invites comparison with Degas and, in another medium, Daumier. He can catch the slump of an old man's shoulders as he sits alone on a park bench, waiting for nothing; the sweet awkwardness of a young mother holding...

Author: /time Magazine | Title: Art: Bronze Realists | 6/1/1970 | See Source »

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