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...KRONOS QUARTET (Nonesuch). The San Francisco-based Kronos Quartet (Violinists David Harrington and John Sherba, Violist Hank Dutt and Cellist Joan Jeanrenaud) looks like a new-wave band and plays like an iconoclast's image-busting dream come to fiddling life. This disk offers the Balinese- influenced String Quartet No. 8 by the idiosyncratic Australian Peter Sculthorpe, the introspective Quartet No. 3 by conservative Finnish Composer Aulis Sallinen, Philip Glass's somber, eight-minute Company, the rarely heard 1942 String Quartet by expatriate American Conlon Nancarrow and, as an encore, an arrangement of Rock Guitarist Jimi Hendrix's Purple Haze...

Author: /time Magazine | Title: Music: Once Upon a Time in America | 11/17/1986 | See Source »

...Lawrence. The Saints (16-15, 10-11 ECAC) could be the dark horse this year. Second-year coach Joe Marsh loses only five lettermen from last year's 16-15 squad and has a legitimate Hobey Baker candidate in Hank Lamens, a 6-ft. 2-in., 210 lb. defenseman with the ability to dominate a game. Scoring punch will be provided by forward Pete Lappin (42), supported by his brother Tim (38) and Captain Dave Saunders (33). St. Lawrence also features a proven, experienced goaltender in Scott Yearwood, an asset neither Harvard nor Cornell...

Author: By Neil Mooney, | Title: Viewing the ECAC | 11/14/1986 | See Source »

...doubles, sophomore Hank Parichabutr teamed up with senior Dave Clark to crush the West Virginia team...

Author: NO WRITER ATTRIBUTED | Title: Columbia Snaps Netmen's ECAC Streak | 10/14/1986 | See Source »

...Crimson swept the doubles slate at the 13-team tournament, as Peter Palandjian and Dave Clark (A-flight), Hank Parichabutr and Mark Leschley (C-flight) and John Steinbaugh and Mino Capasello (D-flight) all triumphed. Leschley, a freshman, also took the C-flight singles crown...

Author: NO WRITER ATTRIBUTED | Title: Sportswrap | 9/29/1986 | See Source »

Earle's tunes do not have the sentimentality of mainstream country. They have older echoes: the scarred spirit and lonesome heart of Hank Williams, the grittiness of Johnny Cash, the Bull Run rhythmic charge of another Texas boy, Buddy Holly, who came out of a tradition that was as much old country as new rock 'n' roll. Rockabilly was the name for it, but somehow the country strains of Holly always got slighted. Rock claimed him exclusively -- and unfairly. Playing in that same territory, Earle redresses some of the balance...

Author: /time Magazine | Title: Steve Earle: The Color of Country | 9/8/1986 | See Source »

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