Word: hanks
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...young pianists, Terrasson has speed to burn, and he can lay down impressive, swirling solos in the rushing, post-bop style in vogue today. He undergirds his right-hand notes with layers of richly configured chords in the complex manner of pianists like Bill Evans and Hank Jones. Occasionally Terrasson will use three or four notes when one would suffice. But his revitalization of the standards is what's getting him deserved notice. That's because Terrasson's style--a fertile union of jazz avant-garde and classical--is recognizably a mix of controlled aggression and profound affection, something very...
...hear this," Charlie Haden said, passing across the silvery CD as if it were a communion wafer. "Man, you got to hear this. It's like going to church." The music came on, cool and reverent: Hank Jones playing It's Me, O Lord (Standing in the Need of Prayer). If church were as blissful as this--if it swung like this--there would be a worldwide conversion...
...Listening to Hank Jones play--it's like listening to an orchestra," Haden says. An orchestra full of sly virtuosity that finds in its past not only inspiration but also renewal. Jones is 76, playing at the top of his form and calling on a whole lifetime of talent. Born in Detroit, where he would go to meeting at the Michigan Baptist Church, Jones ultimately chose to follow the jazz life, a through route from home to perdition. "My father," he recalls, "thought jazz was the music of the devil." The devil took him straight to the Apple; took...
...York, Hank became a protege of Art Tatum's, carrying the great blind pianist's music satchel from gig to gig. Jones developed his own keyboard style, taking some of Tatum's breakneck invention and adding a measure of cool, a distinctive touch of romantic reserve to offset the fire of what came, in time, to be called bebop. Jones was also a sideman for Lester Young, Charlie Parker, Ella Fitzgerald and Billie Holiday; he went to school with the best...
...this new collection of spirituals and hymns, jazz veterans Hank Jones and Charlie Haden raise a "joyful noise" that, says TIME's Jay Cocks, is "not only unique in the jazz canon -- it's also uniquely beautiful." The Verve Records release, "a kind of informal jazz eucharist," pairs "two instrumental Olympians playing with improvisational brio and numinous respect for sources and traditions." Pianist Jones and bassist Haden have drawn on some history and autobiography and a little private meditation, set them deep in the spirit, then drawn them out into a jazz pilgrimage through Black spirituals, white hymns and folk...