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...despite the obstacles, Hanley trusts he’ll do the impossible: rake in roughly $25,000 from "Chicago," and donate the funds to the Office for the Arts at Harvard, as an endowment for House drama productions...

Author: By Mary A. Brazelton, Patrick R. Chesnut, Lindsay A. Maizel, and Natalie I. Sherman, CRIMSON STAFF WRITERS | Title: Stage Bound | 2/23/2006 | See Source »

...Hanley prides himself on drawing from resources outside the traditional Harvard theater bubble—his four choreographers are members of the Harvard Dance Team, and his jazz orchestra is composed entirely of members of the Harvard Jazz Bands...

Author: By Mary A. Brazelton, Patrick R. Chesnut, Lindsay A. Maizel, and Natalie I. Sherman, CRIMSON STAFF WRITERS | Title: Stage Bound | 2/23/2006 | See Source »

From day one, the pressure is on for Hanley...

Author: By Mary A. Brazelton, Patrick R. Chesnut, Lindsay A. Maizel, and Natalie I. Sherman, CRIMSON STAFF WRITERS | Title: Stage Bound | 2/23/2006 | See Source »

...Hanley and his crew sit behind a long table in the basement of the Loeb Drama Center. In the long stretches of idleness, they worry about turnout for "Chicago," although rumors that "everyone" was talking about their show in Annenberg seem to cheer the gang’s spirits...

Author: By Mary A. Brazelton, Patrick R. Chesnut, Lindsay A. Maizel, and Natalie I. Sherman, CRIMSON STAFF WRITERS | Title: Stage Bound | 2/23/2006 | See Source »

Although most of the casting decisions come down to intangible factors like "presence" and the actor’s particular "fit" for "Chicago," Hanley relies on formulaic tests, like giving actors a nervous tic, to evaluate the auditioners. "Okay, I want you to do it again. This time, I’m going to give you a spasm," Hanley says to another auditioning actor...

Author: By Mary A. Brazelton, Patrick R. Chesnut, Lindsay A. Maizel, and Natalie I. Sherman, CRIMSON STAFF WRITERS | Title: Stage Bound | 2/23/2006 | See Source »

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